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Pompeii, LA

Pompeii, LA, by Declan Greene, directed by Matthew Lutton. Set and lighting by Nick Schlieper, costume design by Mel Page, composition and sound design by David Franzke. With David Harrison, Belinda McClory, Tony Nikolakopoulos, Luke Ryan, Anna Samson and Greg Stone. Merlyn Theatre, Malthouse Theatre, until December 9.

Wild Surmise, I am the Wind

Wild Surmise, based on the verse novel by Dorothy Porter, adapted by Jane Montgomery Griffith, directed by Marion Potts. Design by Ann Tregloan, sound by Jethro Woodward, lighting by Paul Jackson. With Humphrey Bower and Jane Montgomery Griffith. Beckett Theatre, Malthouse, until December 2.

I Am The Wind by John Fosse, translated by Simon Stephens, directed vt Sapidah Kian. Sets and costumes by Zoe Rouse, lighting by Matthew Adey, sound design by Chris Wenn. With Shaun Goss and Luke Mulquiney. Public Front and Turtle Lab at the Collingwood Underground Carpark, until December 1.

Dance Territories

Dance Territories Program 2: Fractie by Cindy Van Acker, performed by Cindy Van Acker and Tamara Bacci; Thousands, choreographed and performed by Matthew Day. Dancehouse, October 26. Melbourne Festival.

Before Your Very Eyes, The House of Dreaming

Before Your Very Eyes, concept design and direction by God Squad. Gob Squad and CAMPO. Melbourne Festival, Merlyn Theatre, Malthouse, until October 27.

The House of Dreaming, directed by Chris Kohn. Arena Theatre at the Lawler Studio, MTC Theatre, until October 27.

An Enemy of the People

An Enemy of the People, by Henrik Ibsen, directed by Thomas Ostermeier, adaptation and dramaturgy by Florian Borchmeyer. Schaubühne Berlin, Melbourne Festival, until October 27.

The Minotaur Trilogy, by Margaret Cameron and David Young, performed by Caroline Lee, Deborah Kayser and Hellen Sky, musicians Mark Cauvin, Matthias Schack-Arnott and Anastasia Russell-Head. Chamber Made Opera and Melbourne Festival, Salon, Melbourne Recital Centre. Closed.

An Act of Now, Weather, DESH

An Act of Now, concept and choreography by Anouk van Dijk, Melbourne Festival and Chunky Move. Arts Centre Melbourne, Sidney Myer Music Bowl, Until October 27.

Weather, directed by Lucy Guerin, choregraphy Lucy Guerin and company. Lucy Guerin Inc and Malthouse Theatre, Brisbane Festival and Place des Arts, Merlyn Theatre, Malthouse, until October 21.

DESH, direction, choreography and performance by Akram Khan, Melbourne Festival and Dumbo Feather, Sumner Theatre, until October 21.

Orlando, created by Emma Valente and Kate Davis, direction and lighting design by Emma Valente, design by Kate Davis. With Syd Brisbane, Dana Miltins and Mary Helen Sassman. Helium season at the Malthouse Theatre, Melbourne Festival, until October 27.

After Life, after Hirokazu Kore-eda, composition, stage and video direction and text by Michel Van der Aa. De Nederlandse Opera, Melbourne Festival, at the Regent Theatre. Until October 27.

Forsythe Dance Company, Force Majeure

I Don't Believe in Outer Space, a work by William Forsythe with music composed and performed and Thom Willems. The Forsythe Company, Playhouse, Arts Centre Melbourne, until October 16.

Never Did Me Any Harm, devised by Force Majeure, directed by Kate Champion. Force Majeure and Sydney Theatre Company. Sumner at the Southbank Theatre, until October 13.

Top Girls, by Caryl Churchill, directed by Jenny Kemp. Sets and costumes by Dale Ferguson, lighting by Richard Vabre, composition and sound design Elizabeth Drake. With Li-Leng Au, Anita Hegh, Margaret Mills, Eryn Jean Norvill, Sarah Ogden, Nikki Shiels and Maria Theodorakis. Melbourne Theatre Company at The Sumner, Southbank Theatre, until September 29.

On the Misconception of Oedipus, devised by Zoe Atkinson, Matthew Lutton and Tom Wright, text by Tom Wright, directed by Matthew Lutton. Design by Zoe Atkinson, lighting by Paul Jackson, composition and sound design by Kelly Ryall. With Natasha Herbert, Richard Pyros and Daniel Schlusser. Perth Theare Company and Malthouse Theatre, Beckett Theatre, until August 26.

His Girl Friday, adapted by John Guare from The Front Page by Ben Hecht and Charles MacArthur, and the Columbia Pictures film. Directed by Aidan Fennessy, design by Tracy Grant Lord, lighting by Matt Scott, sound design by Russell Goldsmith. With Marco Chiappi, Kate Cole, Tyler Coppin, Jim Daly, Giordano Gangl, Tom Hobbs, Peter Houghton, John Leary, Adam Murphy, Grant Piro, Philip Quast, Pamela Rabe, Deidre Rubenstein, Christopher Stollery, David Woods and Tim Wotherspoon. Melbourne Theatre Company, Playhouse, Arts Centre Melbourne, until September 15.

Helicopter by Angela Betzien, directed by Leticia Cáceres. Design by Tanja Beer, lighting by Lisa Mibus, composer Pete Goodwin. Melbourne Theatre Company, Lawler Studio, MTC Theatre, until August 17.

Hell House

Hell House: Provocation, Belief and Morality. From a kit by Senior Pastor Keenan Roberts, directed by Bruce Gladwin. Back to Back Theatre at the Meat Market, North Melbourne Arts House. Closes tonight, August 5.

Blood Wedding, by Federico Garcia Lorca, dapated by Raimondo Cortese, directed by Marion Potts. Design by The Sisters Hayes, lighting design by Paul Jackson, composition by Tim Rogers, sound design by Russell Goldsmith. With Silvia Colloca, Nicole Da Silva, Ivan Donato, Mariola Fuentes, Ruth Sancho Huerga, Irene del Pilar Gomez, Matias Stevens, Greg Ulfan and David Valecia. Merlyn Theatre, Malthouse Theatre, until August 19.

Triangle by Glyn Roberts, directed by Tanya Dickson. Set design by Eugyeene Teh, costumes by Chloe Greaves, lighting by Ron Sowinski, sound design by Russell Goldsmith. With Elizabeth Nabben and Janine Watson. MKA Theatre at 64 Sutton St, North Melbourne, until August 4.

Queen Lear

Queen Lear, by William Shakespeare, directed and adapted by Rachel McDonald. Design by Tracy Grant Lord, lighting by Niklas Pajanti, sound design by Iain Grandage. With Robyn Nevin, Genevieve Picot, Belinda McClory, Alexandra Schepisi, Richard Piper, David Paterson, Rohan Nichol, Robert Menzies, Greg Stone and Nicholas Hammond. Melbourne Theatre Company, Sumner Theatre, until August 18.

Briwyant, directed and choreographed by Vicki Van Hout, in collaboration with the performers. Videography by Marian Abboud, lighting design by Neil Simpson, composition by Elias Costantopedos. Merlyn Theatre, Malthouse Theatre until July 14.

The McNeil Project: The Chocolate Frog and The Old Familiar Juice, by Jim McNeil, directed by Malcolm Robertson. Lighting by Katie Sfetkidis. With Will Ewing, Luke McKenzie, Cain Tjompson and Richard Bligh. Fortfive Downstairs until July 29.

The Golden Dragon by Roland Schimmelpfennig, translated by David Tushingham, directed by Daniel Clarke. design by Andrew Bailey, lighting by Emma Valente, sound by Russell Goldsmith. With Rodney Afif, Ash Flanders, Jan Friedl, Dana Miltins and Roger Oakley. Melbourne Theatre Company, Law Studio, until July 7.

sex.violence.blood.gore by Alfian Bin Sa'at (with Chong Tze Chien), directed by Stephen Nicolazzo. Design by Eugyeene Teh, lighting by Yasmine Santoso, sound by Claudio Tocco. With Genevieve Giuffre, Caherine Davies, Matt Furlani, Whitney Boyd, Amy Scott-Smith, Zoe Boesen and Caitlin Adams. MKA Theatre at MKA Pop-Up, 64 Sutton St, North Melbourne, until July 17. Bookings.

Terrain, choreographed by Frances Rings. Composed by David Page, set design by Jacob Nash, cosotume design by Jennifer Irwin, light design by Karen Norris. Bangarra Dance Theatre, Arts Centre Melbourne, until July 7. Sydney Opera House July 18-August 18. IPAC Wollongong August 24-25. Adelaide Festival Centre August 29-September 1. Canberra Theatre Centre, September 13-15. QPAC, Brisbane, October 3-7.

National Interest, written and directed by Aidan Fennessy. Design by Christina Smith, lighting by Trent Suidgeest, sond by Ben Collins. With James Bell, Julia Blake, Grant Cartwright, Michelle Fournasier, Stuart Halusz and Polly Low. Melbourne Theatre Company at the Fairfax Studio, Arts Centre, until July 21.

Keep Everything, directed and choreographed by Antony Hamilton. Lighting by Benjamin Cisterne, sound by Julian Hamilton and Kim Moyes. With Benjamin Hancock, Lauren Langlois and Alisdair Macindoe. Chunky Move, Chunky Move Studios, until June 23.

Glory Box, created and directed by Moira Finucane and Jackie Smith. Design by Barrie Michael Baxter and Issac Lumis, light by Marko Respondek, sound by Adam Hunt. With Moira Finucane, Maude Davey, Holly Durant, Anna Lumb, and Harriet Ritchie. Guests: Meow Meow and Ursula Martinez. Finucane & Smith, Fortyfive Downstairs, until July 1.

Macbeth by William Shakespeare, directed by Peter Evans. Designed by Anna Cordingley, lighting by Damien Cooper, composer Kelly Ryall. With Dan Spielman, Kate Mulvany, Colin Moody, Ivan Donato, Katie-Jean Harding, Gareth Reeves, Lizzie Schebesta, Hazem Shammas, Paul Reichstein, Robert Jago and Jason Chong. Bell Shakespeare at the Arts Centre Playhouse, until June 23.

Another Lament, with music by Henry Purcell, directed by Kate Sulan, performed by Rawcus. Design Emily Barrie, Sound design by Jethro Woodward, lighting design by Richard Vabre. Composition and musical performance, Ida Duelund Hansen (Voice, Double Bass). Opera XS, Chamber Made Opera, Rawcus. Beckett Theatre, until June 11.

Starchaser by Lally Katz, directed by Christian Leavesley. Design by Jonathan Oxlade, lighting by Richard Vabre, sound design by Jethro Woodward, With Jessica Clarke, Anne-Louise Sarks, Phil McInnes and Jamieson Caldwell. Aren Theatre and Arts Centre Melbourne, Fairfax Theatre. Closed.

CIRCA, created by Yaron Lifschitz and the Circa Ensemble, directed by Yaron Lifschitz. With Nathan Boyle, Jessica Connell, Daniel Crisp, Jarred Dewey, Todd Kilby, Alice Muntz and Brittannie Portelli. Malthouse Theatre and Circa, Merlyn Theatre. Closed.

Monster Body by Atlanta Eke. Sound design Tessa Broadby, lighting design Sophie Beirne, videographer Sarah Ling, set design by Ashlea English, costume design Amanda Betlehem. dramaturge Tim Birnie. Dance House.

Grave, by Dewey Dell. Creators: Agata, Demetrio and Teodora Castellucci, Eugenio Resta. The River Eats, devised, performed and designed by Justin Shoulder. Original music by Nick Wales, vision design by Toby K. The Exchange program 2, North Melbourne Arts House, Next Wave.

Shotgun Wedding, co-created by Bridget Balodis and Mark Pritchard, associate artist Dan Giovannoni, designed by Zoë Rouse. No Show at St Peters Eastern Hill, East Melbourne.

Physical Fractals, choreographed by Natalie Abbott, danced by Natalie Abbott and Rebecca Jensen. Footscray Arts Centre.

Wintering, choreographed by Aimee Smith, danced by Jenni Large and Rhiannon Newton. Arts House Meat Market.

On the Production of Monsters by Robert Reid, directed by Clare Watson. Sets and costumes by Andrew Bailey, lighting design Richard Vabre, composer Kelly Ryall. With VirginiaGay and james Saunders. Lawler Studio, Melbourne Theatre Company, until June 9.

Persona, based on the film by Ingmar Bergman, translated by Keith Bradfield, directed by Adena Jacobs. Conceived by Adena Jacobs, Dayna Morrissey and Danny Pettingill. Set and costumes by Dayna Morrissey, lighting by Danny Pettingill, sound design by Russell Goldsmith. With Meredith Penman, Karen Sibbing, Daniel Schlusser, Jane Montgomery Griffiths (voice over), Hugo Donath/Harrsson Feldman. Fraught Outfit at Theatre Works until May 27.

The Heretic, by Richard Bean, directed by Matt Scholten. Set design by Shaun Gurton, costumes by Esther Marie Hayes, lighting by Lisa Mibus, composition and sound by Jethro Woodward. With Noni Hazlehurst, Anna Samson, Shaun Goss, Lyall Brooks, Andrew McFarlane and Katy Warner. Sumner Theatre, Melbourne Theatre Company, until June 23.

The Seizure, written and directed by benedict Hardie, after Sophocles' Philoctetes. Dramaturg, Anne-Louise Sarks, set and costume by Zoe Rouse, lighting design by Lucy Birkinshaw, sound design by Alister Mew. With Christopher Brown, Haiha Le, Brian Lipson and Naomi Rukavina. Studio 246A Brunswick, until May 19.

100% Melbourne, by Rimini Protokoll. With 100 Melburnians and The Bombay Royale. Melbourne Town Hall, May 4-6. Closed.

The Histrionic (Der Theatermacher) by Thomas Bernhard, translated by Tom Wright, directed by Daniel Schlusser. Sets and costumes by Marg Horwell, lighting design by Paul Jackson, sound design and composition by Darrin Verhagen, With Bille Brown, Kelly Butler, Barry Otto, Josh Price, Katherine Tonkin, Jennifer Vuletic and Edwina Wren. Malthouse Theatre and Sydney Theatre Company. Merlyn Theatre, Malthouse, until May 5; Wharf 1 Theatre, STC, June 20 to July 28.

The Plague Dances, devised by Mat Diafos Sweeney, Sebastian Peters-Lazaro, Jesse Rasmussen and Marcel Dorney. Design by Sebastian Peters-Lazaro and Ellen Strasser, lighting design Tom Willis. With Adam Casey, Matt Crosby, Ida Dueland-Hansen, Genevieve Fry, Esther Hanneford, Benjamin Hoejtes, Kevin Kiernan-Molloy, Lisa Salvo, Karen Stibbing and Emily Tomlins. Four Larks at the Tower Theatre, Malthouse Theatre, until April 29.

Boy Girl Wall, by Matthew Ryan and Lucas Stibbard, directed by Matthew Ryan, performed by Lucas Stibbard. Realised by Matthew Ryan, Lucas Stibbard, Neridah Waters and Sarah Winter. Set and costumes by Jonathan Oxlade, lighting by Keith Clark. The Escapists at the Lawler Studio, MTC Theatre, until May 4.

Welcome to Thonnet by Martin Blum, devised with Bojana Novakovic and Chris Ryan, performed by Martin Blum, production design by Govin Ruben. Northcote Town Hall, Melbourne Comedy Festival, until April 8

Red, by John Logan, directed by Alkinos Tsilimidos. Set design by Shaun Gurton, costumes by Jill Johanseon, lighting by Matt Scott, composition and sound design by Tristan Meredith. With Colin Friels and André de Vanny. Melbourne Theatre Company, Sumner Theatre, until May 5.

The Rake's Progress, composed by Igor Stravinsky, libretto by WH Auden and Chester kallman. Codncuted by Richard Gill, directed by John Bell. Sets and costumes by Leon Krasenstein, lighting by Matt Scott, choreography by Steven Heathcote. With Tiffany Speight, Banjamin Namdarian, Jerzy Kozlowski, Andrew Collis, Jonathan Bode, Roxane Hislop and Oliver Mann. Victorian Opera at the Playhouse Theatre, Arts Centre, until March 27.

Zombatland, conceived and devised by Jospeh O'Farrell, Miles O'Neil, Tom Salisbury and Glen Walton. Lighting design Scott Allean, Tom Salisbury. Arts House North Melbourne. Closed.

The Seed, by Kate Mulvany, directed by Anne-Louise Sarks. Set and costumes by Christina Smith, lighting by Matt Scott, composition and sound design by Jethro Woodward. With Max Gillies, Sara Gleeson and Tony Martin. Melbourne Theatre Company, Fairfax Studio, Arts Centre Melbourne, until April 4.

The Wild Duck, by Simon Stone and Chris Ryan, after Henrik Ibsen. Set by Ralph Myers, costumes by Tess Schofield, lighting by Niklas Pajanti, composition and sound design Stefan Gregory. With Johngaden, Anita Hegh, Ewen Leslie, Eloise Mignon, Anthony Phelan and Toby Schmitz. Merlyn Theatre, Belvoir and Malthouse Theatre, until March 17.

Summertime in the Garden of Eden, created by Ash Flanders & Declan Greene. Costumes styled by Anthony Cleave of Rose Chong's Costumiers. With Agent Cleave, Mummy Complex, Genevieve Guiffre, Peter Paltos and Erin Tasmania. Sisters Grimm. Closed.

And the Birds Fell from the Sky, written and directed by Simon Wilkinson and Silvia Mercuriali. Il Pixel Rosso at North Melbourne Arts House, until March 18.

Raoul, designed, directed and performed by James Thiérrée. La Compagnie du Hanneton/Junebug, Perth Festival. Adelaide Festival Centre, Adelaide Festival, March 1-6.

Beautiful Burnout, by Byrony Lavery, directed and choreographed by Scott Graham and Steven Hoggett, featuring the music of Underworld. Frantic Assembly and the National Theatre of Scotland, Perth Festival, ABC Perth Studios, until February 25.

Driving Into Walls, by Suzie Miller, choreographed by Danielle Micich, directed by John Sheedy. Barking Gecko Theatre Company, Studio Underground, State Theatre Centre of WA, until March 3.

Dance, choreographed by Lucinda Childs, music by Philip Glass, film by Sol LeWitt. Lucinda Childs Dance Company, Heathe Ledger Theatre, until February 25.

The 14th Tale, written and performed by Inua Ellams, directed by Thierry Lawson. Fuel and Perth Festival, Dolphin Theatre, until February 26.

The Winter's Tale, by William Shakespeare, directed by Edward Hall. Propeller @ Perth Festival, His Majesty's Theatre, until February 25.

A Magic Flute, after Wolfgang Amadeus Mozart, freely adapted by Peter Brook, Franck Krawczyk and Marie-Hélène Estienne, directed by Peter Brook. CICT/Théâtre des Bouffes du Nord, Perth Festival. Octagon Theatre, UWA, until February 25.

Oráculos, directed and dramaturged by Enrique Vargas. Teatro de los Sentidos and Centro Culturale Il Funaro, Perth Festival. Venue details on booking. Until March 3.

Tribes by Nina Raine, directed by Julian Meyrick. Set by Stephen Curtis, costumes by Louise McCarthy, lighting by Matt Scott, composition and sound design by Tim Dargaville. With Alison Bell, Julia Grace, Brian Lipson, David Paterson, Sarah Peirse and Luke Watts. Melbourne Theatre Company, Sumner Theatre, until March 14.

The Year of Magical Wanking, written and performed by Neil Watkins, directed by Phillip McMahon, designed by Ciarán O'Melia. THISISPOPBABY and Theatreworks (closed). Richard Wherrett Studio, Sydney Theatre, Sydney Mardi Gras Feb 14-18; Adelaide College of the Arts Xspace Feb 22-March 18.

Summer of the Seventeenth Doll, by Ray Lawler, directed by Neil Armfield. Set design Ralph Myers, costumes by Dale Ferguson, lighting by Damien Cooper, composer Alan John. With Eloise Winestock, Helen Thomson, Alison Whyte, Robyn Nevin, Steve Le Marquand, Travis McMahon and TJ Power. Belvoir and Melbourne Theatre Company, Arts Centre Playhouse, until February 18.

The Story of Mary MacLane by Herself, text by Bojana Novakovic, music by Tim Rogers, after the writings of Mary MacLane. Directed by Tanya Goldberg, set and costumes by Anna Cordingley, lighting by Hartley TA Kemp, sound design by Russell Goldmsith. With Andy Baylor, Bojana Novakovic, Tim Rogers and Dan Witton. A Ride On Theatre production presented by Malthouse Theatre in association with Griffin Theatre Company, Merrigong Theatre Company and Performing Lines. Beckett Theatre, Malthuse, until December 11, and touring.

The Economist by Tobias Manderson-Galvin, directed by Van Badham. Design by David Samuel, sound design by Nick McCorriston, lighting design by Julia Knibbs, costumes by Chloe Greaves. With Marcus Mckenzie, Zoey Dawson, James Deeth, Conor Gallacher, Sarah Walker and Peter Paltos. MKA Theatre, MKA Pop-Up Theatre, 73 Nicholson St. Abbotsford, until December 10. Bookings.

Cherry Cherry, by Neda Rahmani and Xan Colman, with the assistance of Marrs Coiro. Design by Neda and Xan, costumes by Melanie Liertz. A is for Atlas, Rear 96 Harold Street, Thornbury. Bookings.

Ophelia Doesn't Live Here Anymore, directed by Daniel Schlusser, composed by Darrin Verhagen. Sets and costumes by Marg Horwell, video by Richard Grant, choreography (shibari) Frances D'Ath. With Karen Sibbing, Daniel Schlusser and Lily Paskas. Chamber Made Opera and Bell Shakespeare, a house in Armadale, until November 29. Sold out.

Little Match Girl, The Importance of Being Earnest

Little Match Girl, created and performed by Meow Meow and Iain Grandage, directed by Marion Potts. Sets and costumes by Anna Cordingley, lighting by Paul Jackson. Featuring Mitchell Butel. Malthouse Theatre, Merlyn, until December 4. The Famous Spiegeltent, Sydney Festival, January 6-29.

The Importance of Being Earnest by Oscar Wilde, directed by Simon Phillips. Original design by Tony Tripps, set realiser Richard Roberts, costume realiser Tracy Grant Lord, lighting design Matt Scott. With Patrick Brammall, Bob Hornery, Toby Schmitz, Geoffrey Rush, Christie Whelan, Jane Menelaus, Emily Barclay and Tony Taylor. Melbourne Thatre Company @ the Sumner Theatre, until January 14.

Return To Earth, by Lally Katz, directed by Aidan Fennessy. Set and costumes by Claude Marcos, lighting by Lisa Mibus, composition and sound design by Kelly Ryall. With Anthony Ahern, Julie Forsyth, Kim Gyngell, Eloise Mignon, Tim Ross and Allegra Annetta / Talia Christopoulos / Matilda Weaver. Melbourne Theatre Company at the Fairfax Theatre, Victorian Arts Centre, until December 17.

Aviary

Aviary, directed and choreographed by Phillip Adams. Costume design by Toni Maticevski, millinery by Richard Nylon, composition David Franzke and Phillip Adams, set design by Phillip Adams, nest design by Matthew Bird, architect, backdrops by Gavin Brown, lighting design by Benjamin Cisterne. With Phillip Adams, Luke George, Daniel Jaber, Rennie McDougall, Brooke Stamp, Joanne White and Peter AB Wilson.

Hedda Gabler by Henrik Ibsen, directed by Thomas Ostermeier. Set design by Jan Pappelbaum, costumes by Nina Wetzel, music by Malte Beckenbach, dramaturgy by Marius von Mayenburg, video by Sebastien Dupouey, lighting Erich Schneider. With Annedore Bauer, Wolfgang Bauer, Lars Eidinger, Kay Schulze, Katharina Schüttler and Lore Stefanek. Schaubühne Berlin and Melbourne Festival, Arts Centre Playhouse, until October 23.

The Rehearsal, Playing the Dane, by William Shakespeare, directed by Gavin Quinn. Designer Aedín Cosgrove, costumes by Sarah Bacon, dramaturge Simon Doyle. With Andrew Bennett, Derrick Devine, Conor Madden, Bashir Moukarzel, Gina Moxley, Daniel Reardon, Judith Roddy. Also Dr Sue Tweg, the Venerable Eden-Elizabeth Nicholls and students from Trinity Grammar School, Kew. Pan Pan Theatre, Melbourne Festival. Merlyn Theatre, Malthouse until October 22.

Double Think, choregraphed and directed by Byron Perry. Sound design by Luke Smiles, lighting by Benjamin Cisterne. With Kirstie McCracken and Lee Serle. North Melbourne Town Hall, Arts House. Melbourne Festival until October 15.

Journeys of Love and More Love, written, directed and performed by Ali Zaidi. Recipes and videography by Ali Zaidi. Composition and sound design by Andy Pink, lighting and production by Steve Wald, video aditing and animation Daniel Saul and Katerina Athanasopoulos. motiroti at the Arts House Meat Market, Melbourne Festival. Until October 16.

Whiteley's Incredible Blue, Foley

Whiteley's Incredible Blue by Barry Dickins, directed by Julian Meyrick. Designed by Meredith Rogers, lighting by Kerry Saxby. Performed by Neil Pigot, with musicians Robert Calvert, Robert George, Pietro Fine. Melbourne Festival, fortyfivedownstairs, until October 23.

Foley, written, performed and co-devised by Gary Foley, directed by Rachael Maza Long. Co-devised by Jon Hawkes, co-written by Tony Birch. Audio and lighting by Danny Pettingill, costume and design by Emily Barrie. Ilbijerri Theatre, Melbourne Festival. Fairfax Studio, Victorian Arts Centre, until October 15.

Political Mother, choreography and music by Hofesh Shechter. Musical collaborators Nell Catchpole and Yaron Engler, lighting design by Lee Curran, costumes by Merle Hensel. Performed by Hofesh Shechter Company. Melbourne Festival, Playhouse Theatre, Victorian Arts Centre, until October 15.

The Magic Flute, by Wolfgang Amadeus Mozart, adapted and directed by Mark Dornford-May. Words and music by Masnidi Dyantyis, Msali Kgosidintsi, Pauline Malefane and Nolufefe Mtshabe. Choreography by Lungelo Ngamlana, lighting design by Mannie Manim, costumes by Leigh Bishop. Performed by Impempe Yomlingo. Melbourne Festival at the State Theatre, until October 16.

The Manganiyar Seduction, conceived, arranged and directed by Roysten Abel, conducted by Deu Khan. Sound engineer, S Manoharan, set and lighting design by Roysten Abel. Melbourne Festival. Closed.

Rhinoceros in Love, by Liao Yimei, directed by Meng Jinghui. Design by Zhang Wu, lighting by Zhang Jian, sound design by Yan Guihe. With Zhang Nianhua, Qi Xi, Zhao Hongwei, Zhang Ziqi, Kou Zhiguo, Lui Chang, Wang Xiaoshen and Feng Qilong. National Theatre of China and the Melbourne Festival. Closed.

Assembly, directed and choreographed by Gideon Obarzanek, musical direction by Richard Gill. Lighting design by Nick Schlieper, costume design by Harriet Oxley, set design by Gideon Obarzanek and Chris Mercer. Dancers: Sara Black, Nathan Dubber, Benjamin Hancock, Alisdair Macindoe, Lily Paskas, Harriet Ritchie, James Shannon and Frankie Snowdon. Principal singers: Casselle Bonollo, Olivia Cranwell, Frederica Cunningham, Tobias Glaser, Jeremy Kleeman and Matthew Thomas. With Paul Capsis and the Victorian Opera Youth Opera. Chunky Move, Victorian Opera and Melbourne Festival. Melbourne Recital Centre. Closed.

Ganesh Versus The Third Reich, directed, designed and devised by Bruce Gladwin. Lighting design by Andrew Livingston, Bluebottle; design and set construction by Mark Cuthbertson, design and animation Rhian Hinkley, composer Jóhann Jóhannsson. Performed by Mark Deans, Simon Laherty, Scott Price, Brian Tilley and David Woods. Malthouse Theatre, Melbourne Festival and Back to Back Theatre. Merlyn Theatre, Malthouse, until October 9.

Clybourne Park, Half-Real

Clybourne Park by Bruce Norris, directed by Peter Evans. Set and costumes by Christina Smith, lighting design by Matt Scott, composition by Jethro Woodward. With Greg Stone, Alison Whyte, Zahra Newman, Luke Ryan, Bert Labonté, Patrick Brammall and Laura Gordon. Melbourne Theatre Company @ the Sumner Theatre, until October 26.

Half-Real, by Duncan Graham, directed by Sam Haren. Design consultant Geoff Cobham, lighting design by Chris Petridis, video art by Chris More, video system design by Michael Marner, composition by DJ TRIP (Tyson Hopprich). With David Heinrich, Alirio Zavarce and Amber McMahon. The Tower, Malthouse Theatre, until October 15.

Belong: About, choregraphed by Elma Kris, and ID, choreographed by Stephen Page. Design byJacob Nash, coustmes by Emma Howell, composers David Page and Steve Francis. With Bangarra Dance Theatre dancers. Playhouse, Victorian Arts Centre, until September 24.

The Dollhouse, adapted from the play by Henrik Ibsen, directed by Daniel Schlusser. Set design by Jeminah Reidy, costumes by Tiffany Abbott, lighting by Kimberly Kwa, sound by Martin Kay. With Nikki Shiels, Kade Greenland, Edwina Wren, Josh Price, Daniel Schlusser and Cate Bastian/Gabrielle Abbott. Fortfive Downstairs until September 25.

Look Right Through Me

Look Right Through Me, conceived and directed by Kate Denborough, creative collaborator Michael Leunig. Designed by Julie Renton, lighting design by Rachel Burke, music composed by Jethro Woodward. Co-devised and performed by Craig Barry, Fiona Cameron, Timothy Ohl, Cain Thompson, Gerard Van Dyck, Oscar Wilson and Declan Edwards. Malthouse Theatre and Kage at the Merlyn, until September 18.

Julius Caesar

Julius Caesar, by William Shakespeare, directed by Peter Evans. Designed by Anna Cordingley, lighting design by Paul Jackson, composer Kelly Ryall. With Keith Agius, Rebecca Bower, Daniel Frederiksen, Benedict Hardie, Katie-Jean Harding, Alex Menglet, Colin Moody, Kate Mulvany, Gareth Reeves and James Wardlaw. Bell Shakespeare at the Fairfax Studio, Victorian Arts Centre, until September 17. Opens Sydney Opera House October 25. National tour dates at Bell Shakespeare.

Circle Mirror Transformation by Annie Baker, directed by Aidan Fennessy. Sets and costumes by Marg Howell, lighting design by Philip Lethlean. With Deidre Rubemstein, Roger Oakley, Ben Grant, Kate Cole and Brigid Gallacher. Melbourne Theatre Company at the Lawler Studio, until September 17.

It Sounds Silly, choregraphed and directed by Adam Wheeler. Multimedia by Robin Fox, lighting design by Benjamin Cisterne, sound design by Alisdair Macindoe, costumes by Benjamin Hancock. Performers from Chunky Move and SIGNAL. Signal, two free performances, August 19 and 20.

Interface, performed and choregraphed by Jacqui Aylward, Laura D’Augello and Carla Lusi. Music composed by Brenton Aylward and Daniel O’Keefe. Mudfest, Melbourne University.

Namatjira, Rising Water

Namatjira by Scott Rankin, created with the Namatjira family. Set design Genevieve Dugard, composer and music director Genevieve Lacey, costumes by Tess Schofield, lighting designe by Nigel Levings, sound design by Tim Atkins With Trevor Jamieson, Robert Hannaford, Derik Lynch, Kevin Namatjira, Lenie Namatjira, Michael Peck, Elton Wirri, Hilary Wirri, Kevin Wirri. Malthouse Theatre and Big hArt, until August 28.

Rising Water by Tim Winton, directed by Kate Cherry. Costumes and set by Christina Smith, lighting by Matt Scott, sound design and composition Iain Grandage. With Geoff Kelso, John Howard, Alison Whyte, Claire Lovering, Stuart Halusz and Louis Corbett. Black Swan State Theatre Company at Melbourne Theatre Company, Arts Centre Playhouse, until September 10.

Special, Silent Disco

Special, directed by Emma Valente, concept by Emma Valente, Mary Helen Sassman. Devised and performed by Liz Jones and Mary Helen Sassman. Lighting, sound and composition by Emma Valente. The Rabble @ La Mama Courthouse, until August 21.

Silent Disco by Lachlan Philpott, directed by Lee Lewis. Designed by Justin Nadella, lighting design by Ross Graham, sound design and composition by Stefan Gregory. With Camilla Ah Kin, Sophie Hensser, Kirk Page and Meyne Wyatt. Griffin Theatre Company, Hothouse Theatre and Australian Theatre for Young People, at the Victorian Arts Centre Fairfax Studio, until August 13.

Pin Drop, created and performed by Tamara Saulwick. Composition and sound design by Pater Knight. Movement by Michelle Heaven. Design and production by Bluebottle, Ben Cobham and Frog Peck. Malthouse Theatre @ Beckett Theatre until August 7.

Observe the Sons of Ulster Marching Towards the Somme, by Frank McGuinness, directed and designed by Steven Dawson. With Ian Rooney, Dan Walls, Nicholas Brien, Angus Brown, Tosh Greenslade, David Passmore, Mathew Gelsumini, Kevin Dee and Karl Cottee. Hoy Polloy, Mechanic Institute Performing Arts Centre, until August 13.

Die Winterreise, featuring songs by Franz Schubert, conceived and directed by Matt Lutton. Original text by Tom Holloway. Choreography by Chrissie Parrott, set and costumes by Adam Gardnir, original composition and sound design by Kelly Ryall, lighting design by Paul Jackson. With Paul Capsis, James O'Hara, George Shvtsov and Alister Spence. Malthouse Theatre and ThinIce, Merlyn Theatre until July 31.

Undine, written and directed by Mat Diafos Sweeney and Jesse Rasmussen, Movement direction by Sebastian Peter-Lazaro. Set by Sebastian Peters-Lazaro and Ellem Starsser, lighting feisng by Nicola Andrews and Tom Willis, costumes by Mallory Gross. Musicians: Adam Casey, Genevieve Fry, Caleb Latreille, Esala Liyonage, Prudence Rees-Lee, Lisa Salvo and Mat Diafos Sweeney. Performed by Ben Pfeiffer, Luke Jacka, Paul Bourke and Karen Sibbing. Singer: Linsday Cooper. Four Larks Theatre until July 30

Hamlet, by William Shakespeare, directed by Simon Phillips. Set by Shaun Gurton, costumes by Esther Marie Hayes, lighting design by Nick Schlieper, composer Ian McDonald, choreography by Andrew Hallsworth. With John Adam, Ian Bliss, Jamieson Caldwell, Grant Cartwright, Travis Cotton, Ewen Leslie, Garry McDonald, Robert Menzies, Tony Nikolakopoulos, Eryn Jean Norvill, Pamela Rabe, Tim Ross, Brian Vriends and Lachlan Woods. Sumner Theatre, Melbourne Theatre Company, until August 31.

Small Odysseys

Small Odysseys, directed by Kate Sulan. Sets and costumes by Emily Barrie, sculptures and design by Shaun Patten, composition and design by Jethro Woodward, lighting design by Richard Vabre. Musicians: Jethro Woodward, Ida Duelund Hansen. Dramaturge: Ingrid Voorendt. With Steven Ajzenberg, Clem Baada, Michael Buxton, Ray Drew, Rachel Edward, Nilgun Guven, Paul Matley, Mike McEvoy, Ryan New, Kerryn Poke, Louise Risiik, John Tonso, Danielle von der Borch. Rawcus @ Arts House Meatmarket until July 23.

he Burlesque Hour Loves Melbourne, created and directed by Moira Finucane and Jackie Smith. With Moira Finucane, Maude Davey, Holly Durant, Harriet Ritchie, Sosina Wogayehu & Miss Pamela Rabe. Fortyfive Downstairs until August 14.

A Golem Story

A Golem Story, by Lally Katz, directed by Michael Kantor. Sets and costumes by Anna Cordingley, lighting by Paul Jackson, musical direction and vocal arrangements by Mark Jones, Jewish/religious consultant Michel Laloum. Performed by Nicholas De Rossos, Joshua Gordon, Mark Jones, Michel Laloum, Brian Lipson, Dan Spielman, Greg Stone and Yael Stone. Merlyn Theatre, Malthouse Theatre, until July 2.

Moth, by Declan Greene, directed by Chris Kohn. Designed by Jonathan Oxlade, lighting design by Rachel Burke, video design by Domenico Bartolo, composition and sound design Jethro Woodward. With Thomas Conroy and Sarah Ogden. Malthouse Theatre and Arena Theatre Company, Beckett Theatre at the Malthouse, until June 25.

The Joy of Text by Robert Reid, directed by Aidan Fennessy. Sets and costumes by Andrew Bailey, lighting design by Matt Scott, composition by David Franzke. With James Bell, Helen Christinson, Peter Houghton and Louise Siversen. Melbourne Theatre Company @ the Fairfax Studio, until July 23.

Much Ado About Nothing, Crossed

Much Ado About Nothing, by William Shakespeare, directed by John Bell. Designed by Stephen Curtis, lighting design by Matt Scott, composer Alan John. With Toby Schmitz, Blazey Best, Max Gillies, Tony Llewellyn-Jones, Matthew Walker, Sean O'Shea, Sean Hawkins, Alexandra Fisher, Nathan Lovejoy, Robert Alexander, Arky Michael, Andrew Tighe, Megan O'Connell, Lizzie Schebesta and Tyran Parke. Bell Shakespeare @ the Playhouse, Victorian Arts Centre, until June 25.

Crossed, by Chris Summers, directed by Matt Scholten. Set and costume design by Kat Chan, lighting design by Lisa Mibus, music and sound design by Pete Goodwin. With Prag Bhatia, Matthew Candeland, Nicholas Linehan, Jenny Lovell and Ioan Roberts. Platform Youth Theatre, Appetite Arts and La Mama, Courthouse Theatre. Closed.

Princess Dramas

Princess Dramas, by Elfriede Jelinek translated by Gitta Honneger, directed by André Bastian. Designed by Peter Mumford, costumes by Olga Makeeva, lighting by Stelios Karagiannis. With Dion Mills, Andrea Swifte and Melodie Reynolds. Red Stitch until July 2.

The Gift by Joanna Murray-Smith, directed by Maria Aitken. Set and costumes by Richard Roberts, lighting by Hartley TA Kemp, composer Ian McDonald, choreography by John Bolton. With Richard Piper, Heather Bolton, Matt Dyktynski, Elizabeth Debicki and Leighton Young. Eirini Kosmidis, Chloe Guymer or Nyah Hart as Eleanor. Sumner Theatre, Melbourne Theatre Company, until July 9.

Dwelling Structure, Animal, Inside a Mime's Compact

Dwelling Structure: An Opera in 8 Time-Use Episodes, created by Madeleine Flynn and Tim Humphrey, libretto by Cynthia Troup. Visual assemblage by Neil Thomas and neighbourly interruptions by Suitcase Royale. A living room in Northcote. Chamber Made Opera.

Animal, choreographed by Lucas Jervis, music by Eugene Ughetti. Designed by Claude Marcos, lighting by Robert Cuddon. With Alida Chase, Shane Carroll, Christine Howard, Kirsty Martin and Lisa Pavane. Jack Productions at the Beckett Theatre, Malthouse.

Inside a Mime's Compact, devised and performed by Camilla Buckthorpe and Lily Beaux-Lyons. Smootz and Hovering Ponies Take Umbrage at a city apartment.

Random, The Laramie Project - 10 Years Later, Next to Normal

Random, by Debbie Tucker Green, directed by Letitia Caceres. Set and costumes by Tanja Beer, lighting by David Walters, composition and sound design by Pete Goodwin. MTC Education at the Lawler Studio, MTC Theatre, until May 13.

The Laramie Project - 10 Years Later, by Moises Kaufman and member of the Tectonic Theatre Project, directed by Gary Abrahams. Sets by Peter Mumford, lighting by Katie Sfetkidis, costimes by Yunuen Perez. With David Whiteley, Ella Caldwell, Kim Gyngell, Paul Ashcroft, Terry Camilleri, Hester Van Der Vyver, Rosie Traynor, Emily Thomas and Brett Ludeman. Red Stitch until May 28.

Next to Normal, music by Tom Kitt, book and lyrics by Brian Yorkey, directed by Dean Bryant, musical direction by Matthew Frank. Set by Richard Roberts, costumes by Paula Levis, lighting by Matt Scott, sounds design by Terry McKibbin, choreography by Andrew Hallsworth. With Kate Kendall, Gareth Keegan, Matt Hetherington, Christy Sullivan, Benjamin Hoetjes and Bert Labonte. Melbourne Theatre Company, Arts Centre Playhouse, until May 28.

Porn.Cake by Vanessa Bates, directed by Pamela Rabe. Sets and costumes by Christina Smith, lighting by Rachel Burke, sound design by Darrin Verhagen. With Heather Bolton, Luke Elliott, Travis McMahon and Christen O'Leary. Beckett Theatre @ Malthouse Theatre until May 8.

Howie the Rookie, by Mark O'Rowe, directed by Greg Carroll. Set design by Ben Shaw, lighting by Claire Springett and sound design by Brett Ludeman. With Timothy Ross and Paul Ashcroft. Red Stitch (closed).

Hypatia II, written and performed by Jane Montgomery-Griffiths, directed by Adena Jacobs. Sound and lighting design by Jared Lewis, set and costume by Dayna Morrissey. Lunchtime performance, Alexandra Theatre, Monash University.

In The Next Room, or The Vibrator Play, by Sarah Ruhl, directed by Pamela Rabe. Set and costumes by Tracy Grant Lord, lighting by Hartley TA Kemp, composition and sound design Iain Grandage. With Jacqueline McKenzie, David Roberts, Helen Thomson, Marshall Napier, Mandy McElhinney, Sara Zwangobani and Josh McConville. Sumner Theatre, Melbourne Theatre Company, until May 21.

Baal, by Bertolt Brecht, translated by Simon Stone and Tom Wright, directed by Simon Stone. Set and lighting Nick Schlieper, costumes by Mel Page, composition and sound design Stefan Gregory. With Bridig Gallacher, Geraldine Hakewill, Luisa Hastings Edge, Shelly Laumann, Oscar Redding, Chris Ryan, Lotte St Clair, Katherine Tonkin and Thomas M Wright. Malthouse Theatre and Sydney Theatre Company. Merlyn Theatre, Malthouse, until April 23; Sydney Theatre Company, May 7-June 11.

Delectable Shelter, Minotaur

Delectable Shelter, written and Directed by Benedict Hardie. Composed by Benny Davis, musical direction by Nathan Gilkes, set design by Claude Marcos, lighting design by Lucy Birkinshaw, costumes by Esther Hayes, sound design by Alister Mew. With Thomas Conroy, Simone Page Jones, Anthony Mackey, Josh Price and Yesse Spence. The Hayloft Project @ Theatre Works, until April 17.

Minotaur: The Island, composed by David Young, directed and written by Margaret Cameron. Performers: Deborah Kayser, Caroline Lee and Hellen Sky. Musicians: Mark Cauvin, Matthias Schack-Arnott and Anastasia Russell-Head. Commissioned by Ten Days on the Island and Dr Peta Gillingham, performed at a private apartment. Closed.

Amplification, Faker

Amplification, directed and choreographed by Phillip Adams. Composer and turntablist Lynton Carr, set and lighting by Bluebottle, costume design by Graham Green. Performed by Timothy Harvey, Rennie McDougall, Carlee Mellow, Brooke Stamp and Joanne White. Malthouse Theatre & BalletLab, Dance Massive. Closed.

Faker, choreographed and performed by Gideon Obarzanek. Lighting design by Gideon Obarzanek and Chris Mercer. Malthouse Theatre & Chunky Move, closed.

The Wild Duck

The Wild Duck, by Simon Stone and Chris Ryan, after Henrik Ibsen. Set by Ralph Myers, costumes by Tess Schofield, lighting by Niklas Pajanti, composition and sound design Stefan Gregory. With Johngaden, Anita Hegh, Ewen Leslie, Eloise Mignon, Anthony Phelan and Toby Schmitz. Belvoir, Sydney. Closed.

In Glass, choreographed by Narelle Banjamin. Composed by Huey Benjamin, visual design Samuel James, costumes design by Tess Scofield, lighting design by Karen Norris. With Kristina Chan and Paul White. Dance Massive, Malthouse Theatre. Closed.

These Are The Isolate, by Katy Warner, directed by Marcel Dorney. Lighting design by Katie Sfetkidis, sound design by Tim Wotherspoon. Devised and performed by Katy Warner and Tim Wotherspoon. Theatre Works, until March 27.

Sunstruck, NOWNOWNOW

Sunstruck, by Helen Herbertson (devisor, director, sound concept) and Ben Cobham (design and lighting). Soundscape by Livia Ruzic. Performed by Trevor Patrick and Nick Sommerville, musicians Tamil Rogeron and Tim Blake. Dance Massive, Arts House North Melbourne Town Hall, closed.

NOWNOWNOW, choregraphed by Luke George. Design by Bejamin Cisterne, dramaturgy by Martyn Coutts, costumes by Ede Strong and cast, music by Glass Candy. With Kristy Ayre, Timothy Harvey and Luke George. Dance Massive, Dancehouse until March 20.

Connected

Connected, directed and choreographed by Gideon Obarzanek. Sculpture by Reuben Margolin, music composed by Oren Ambarchi and Robin Fox, lighting design by Banjamin Cisterne, costumes designed by Anna Cordingley. Performed by Stephanie Lake, Alisdair Macindoe, Marnie Palomares, Harriet Ritchie and Joseph Symons. Chunky Move and Malthouse Theatre, Dance Massive, Malthouse Theatre. Until March 20. Sydney Theatre, Walsh Bay, Sydney, until May 14.

The End, by Samuel Beckett, directed by Eamon Flack. Lighting design by Teegan Lee, stage manager Bec Allen. Performed by Robert Menzies. Belvoir St production, Malthouse Theatre. Until March 11.

The Dream Life of Butterflies, by Raimondo Cortese, directed by Heather Bolton. Set and costumes by Marg Horwell, lighting design by Jenny Hector, stage manager Julia Smith. Lawler Studio @ MTC Theatre, Melbourne Theatre Company until April 2.

Trust, a project by Falk Richter and Anouk van Dijk. Stage design by Katrin Hoffman, costume design by Daniela Selig, music by Malte Beckenbach, dramaturgy by Jens Hillje, lighting by Carsten Sander. With Peter Cseri, Anouk van Dijk, Lea Draeger, Jack Gallagher, Vincent Redetzki, Judith Rosmair, Kay Bartholomäus Schulze, Stefan Stern, Nina Wollny and Malte Breckenbach. Schaubühne Berlin. Until March 2.

Aftermath, by Jessica Blank and Erik Jensen, directed by Jessica Blank. Lighting by Caleb Wertenbaker, costume design by Gabriel Berry, stage design by Richard Hoover, music and sound by David Robbins. With Omar Koury, Fajer Al-Kaisi, Leila Black, Maha Chehlaoui, Ramsey Fargallah, Rufio Lerma, Ryan Shams, Ted Sod and Rasha Zamamiri. New York Theatre Workshop. Until March 1.

Perth Festival: My Bicycle Loves You, Waltzing the Wilarra

Waltzing the Wilarra, by David Milroy, directed by Wesley Enoch. Music director Wayne Freer, set design by Jacob Nash, costumes by Isaac Lummis, lighting design by Trent Suidgeest, sound design by Kingsley Reeve, choreography by Claudia Alessi. With Ernie Dingo, Jessica Clarke, Kelton Pell, Irma Woods, Ursula Yovich, Trevor Jamieson, Tim Solly and Alexandra Jones. Musicians: Ric Eastman, Wayne Freer, David Milroy, Lucky Oceans and Bob Patient. Yirra Yaakin Theatre Company, Subiaco Arts Centre, until March 6.

My Bicycle Loves You, devised by Beatrix Christian, Patrick Nolan, Anna Tregloan and company. Directed by Patrick Nolan, composer Ben Walsh, designer Anna Tregloan, video artist Mic Gruchy, lighting Damien Cooper. With Alicia Battestini, Tom Flanagan, Alexandra Harrison, Aimee Horne, Kate Sherman, Matt Wilson and Emil Wolk. Musicians: Eden Ottingen, Matt Ottingen, Daniel Pilner and Mich Stuart. Legs on the Wall, Regal Theatre, until February 26.

Perth Festival: Out Of Context - For Pina, Martha Wainwright

Out Of Context - For Pina, directed and choreographed by Alain Platel. Danced and created by Ellie Tass, Emile Josse, Hyo Seung Ye, Kaori Ito, Mathieu Desseigne Ravel, Melanie Lomoff, Romeu Runa, Rosalba Torres Guerrero and Ross McCormack. les ballets C de la b, Heath Ledger Theatre, State Theatre Centre, Perth. Closes tonight.

Martha Wainwright, Beck's Music Box, Perth.

Perth Festival: Donka: A Letter to Chekhov, The Red Shoes

Donka: A Letter to Chekhov, written, directed, choregraphed and lighting design by Daniele Finzi Pasca. Music composed and orchestrated by Maria Bonzanigo, set by Hugo Garguilo. Performed by Moira Albertalli, Karen Bernal, Helena Bittencourt, Sara Calvanelli, Veronica Melis, David Menes, Beatriz Sayad and Rolando Tarquini. Teatro Sunil, His Majesty's Theatre, Perth Festival. Closed.

The Red Shoes, based on the story by Hans Christian Anderson, adapted and directed by Emma Rice. Design by Bill Mitchell, music by Stu Barker, lighting by Malcolm Rippeth, sound by Mike Shepherd. Performed by Giles King, Patrycja Kujawska, Dave Mynne, Robert Luckay, Mike Shepherd, Stu Barker and Ian Ross. Kneehigh Theatre, Octagon Theatre, Perth Festival. Closed.

'Tis Pity She's A Whore

'Tis Pity She's a Whore, by John Ford, directed by Marion Potts. Original music by Andrée Greenwell, set and costumes by Anna Cordingley, lighting design by Paul Jackson, sound design by Jethro Woodward, dramaturgy by Maryanne Lynch. With John Adam, Julia County, Laura Lattuada, Elizabeth Nabben, Richard Piper, Chris Ryan, Benedict Samuel, Alison Whyte, Anthony Brandon Wong and Jethro Woodward. Malthouse Theatre @ the Merlyn, until March 5.

A Behanding in Spokane, No-Show

A Behanding at Spokane by Martin McDonagh, directed by Peter Evans. designed by Christina Smith, lighting by Matt Scott, sound design by Ben Grant. With Tyler Coppin, Nicole da Silva, Bert LaBonté and Colin Moody. Sumner Theatre, Melbourne Theatre Company, until March 19.

No-Show, by Richard Pettifer, with excerpts by Megan Twycross. Lighting non-design by Tilly Lunken, sound non-design by Alister Mew. La Mama Theatre. Closed.

Ruben Guthrie, written and directed by Brendan Cowell. Design by Peter Mumford, lighting by Stelios Karagiannis, sound by Marlene Samosn and Jonathan Shaw. With Daniel Frederiksen, Anna Samson, David Whiteley, Dennis Coard, Erin Dewar, Andrea Swifte and Simon Maiden. Red Stitch until March 5.

Skin Tight, by Gary Henderson, directed by Justin Martin. Lighting design by Marco Resondeck, sound design by Jared Lewis, choreography by Tom Hodgson. With Holly Shanahan, Michael Whalley and Karl Peschek. SaySIX Theatre and The Groundswell Division, @ Fortyfive Downstairs until February 11

Song of the Bleeding Throat

Song of the Bleeding Throat, by David Tredinnick, directed by Brian Lipson. Design by Brian Lipson and Alexis George, costumes by Alexis George, lighting by Niklas Pajanti and Nicola Andrews. With Richard Blight, Anne Browning, James Saunders and Neil Pigot. The Eleventh Hour, 170 Leicester St, Fitzroy, until February 12.

Don Parties On, by David Williamson, directed by Robyn Nevin. Set by Dale Ferguson, lighting by Matt Scott, sound by Russell Goldsmith, costumes by Jennifer Irwin. With Diane Craig, Georgia Flood, Darren Gilshenan, Robert Grubb, Frankie J. Holden, Sue Jones, Garry McDonald, Tracy Mann and Nikki Shiels. Melbourne Theatre Company, Arts Centre Playhouse, until March 8.

The Nest, by Anne-Louise Sarks and Benedict Hardie, after Maxim Gorky's The Philistines. Set by Claude Marcos, costumes by Mel Page, lighting by Lisa Mibus, sound and composition Russell Goldsmith. With Sarah Armanious, Stuart Bowden, Stefan Bramble, Alexander Englabnd, Brigid Gallacher, Julia Grace, Benedict Hardie, Carl Nilsson-Polias, Meredith Penman and James Wardlaw. Northcote Town Hall, Studio One. Until December 19.

Peer Gynt, by Henrik Ibsen, adapted and directed by Sebastian Peters-Lazaro Jesse Rasmussen and Mat Diafos Sweeney. Four Larks, The Little Bakery, Northcote, until December 11. Details and bookings here.

Elektra by Sophokles, translated by Anne Carson, directed by Adena Jacobs. The Dog Theatre, Footscray, until December 18. Details and bookings here.

Creditors by August Stringberg, in a new version by David Grieg, directed by David Bell. Red Stitch Theatre, Prahran, until December 18. Details and bookings here.

A Woman in Berlin, by Anonymous, adapted by Jancie Muller and Meredith Penman, directed by Janice Muller. Set and costume design by Gabrille Logan, lighting by Matt Cox, sound design by Russell Goldsmith. Performed by Meredith Penman. Tower Theatre, the Malthouse, until November 28.

Irony Is Not Enough: Essay On My Life As Catherine Deneuve, by Anne Carson. Created by Anna Cordingley, Jenny Hector, Luke Mullins, Leisa Shelton and Jethro Woodward. North Melbourne Arts House. Closed.

The Tell-Tale Heart, after Edgar Allan Poe, directed by Barrie Kosky. Return season directed by Michael Kantor. Design adaptation: Anna Tregloan (set and costumes) and Paul Jackson (lighting). Performed by Martin Niedermair. Merlyn Theatre, Malthouse, until December 2.

The Animals & Children Took to the Streets. Performer, writer and director, Suzanne Andrade; animation and design, Paul Barritt; performer and co-costume designer Esme Appleton, performer and composer Lillian Henley. Costume design Sarah Munroe, voice Jamie Adams, lighting by Jamie Adams. 1927 @ the Beckett Theatre, Malthouse. Until November 28.

Electronic City by Falk Richter, directed by Wayne Pearn. Sets & costumes by Kat Chan, lighting by Ben Morris, sound design by Tim Bright. With Dan Walls, Sarah Ogden, Nick Darling, Liza Dennis, Ngaire Dan Fair, Elizabeth McColl, Luke Mulquiney and Daniel Rice. Hoy Polloy, Mechanics Institute Performing Arts Centre, Brunswick. Until November 27.

Songs For Nobodies, by Joanna Murray-Smith, directed by Simon Phillips. With Bernadette Robinson. Melbourne Theatre Company @ Fairfax Theatre, Victorian Arts Centre, Melbourne. Until December 23.

The Hollow by Agatha Christie, adapted and directed by Daniel Schlusser, Set Designer Romanie Harper, Costume Designer Zoe Rouse, Lighting Designer Megan Fitzgerald, Sound Designer Nick McCorriston, Stage Manager Shayndle Grinblat. Performed by Alicia Beckhurst, Francesca Bianchi, Paul Blenheim, Zoe Boesen, Dean Cartmel, Elizabeth Debicki, Tom Dent, Tom Hobbs, Christopher Ioan Roberts, Renae Shadler, Jack Starkey-Gill and Cate Wolswinkel. Victorian College of the Arts Drama and Production schools, Grant St Theatre. Closed.

The Bedroom Project, created by Emma Valente, Kate Davis and Dan Spielman, performed by Dana Miltins and Mary Helen Sassman, sound by Tommy Spender. Linden Centre for Contemporary Art. Closed.

Seven Songs To Leave Behind, directed by Steven Richardson. Musical direction by Eugene Ball, Iain Grandage, Orchestra Victoria conducted by Benjamin Northey, sound Design by John O'Donnell, lighting Designer by Phil Lethlean, designed by Adam Gardnir. With Sinead O’Connor, John Cale, Meshell Ndegeocello, Rickie Lee Jones, Gurrumul Yunupingu, The Black Arm Band: Leah Flanagan, Shellie Morris, Dan Sultan and Ursula Yovich. Myer Music Bowl, October 23.

Tomorrow, In A Year, music by The Knife, directed by Ralf Richardt Strobech, Kirsten Dehlholm. Musical collaborators Mt Sims, Planningtorock, text by The Knife, Mt Sims, Charles Darwin. Concept and set design by Ralf Richardt Strobech, lighting design by Jesper Kongshaug, sound design by Anders Jorgensen, choreographic consultant Hiroaki Umeda, costumes by Maja Ravn. Performed by: mezzo-soprano Kristina Wahlin, singer/actor Larke Winther, singer Jonathan Johansson, dancers Lisbeth Sonne Andersen, Agnete Beierholm, Alexandre Bourdat, Bo Madvig, Jacob Stage, Jan Strobech. Hotel Pro Forma, State Theatre.

Opening Night by John Cassavetes, directed by Ivo van Hove. Set and lighting by Jan Versweyveld, costumes by An d'Huys, video design by Marc Meulemans. With Elsie van Brauw, Jacob Derwig, Daan van Dijsseldonk, Lien de Graeve, Hans Kesling, Lien Wildemeersch, Fred Goessens, Eelco Smits, Serve Hermans, Chris Nietvelt and Hadewych Minis. Melbourne International Arts Festival, Playhouse, Victorian Arts Centre, until tonight.

Vertical Road, directed and choreographed by Akram Khan, composed by Nitin Sawhney. Lighting Design by Jesper Kongshaug, costumes by Kimie Nakano, set conceived by Akram Khan, Jesper Kongshaug and Kimie Nakano. Material devised & performed by Eulalia Ayguade Farro, Konstadina Efthymiadou, Salah El Brogy, Ahmed Khemis,Young Jin Kim, Yen-Ching Lin, Andrej Petrovic and Paul Zivkovich. Akram Khan Company, Merlyn Theatre, Malthouse, until October 23.

Jack Charles V. The Crown, by Jack Charles and John Romeril, directed by Rachael Maza Long. Design by Emily Barrie, lighting by Danny ettingill, music direction Nigel MacLean. Performed by Jack Charles, with music performed by Nigel MacLean, Phil Collings and Mal Beveridge. Ilbijerri Theatre Company @ Fairfax Theatre, Victorian Arts Centre (closed). Belvoir St Theatre, Sydney, March 30 to April 17.

Adapting for Distortion/Haptic, created and performed by Hiroaki Umeda. Sound by S20, images by S20 and Betrand Baudry. Merlyn Theatre, Malthouse. Closed.

The Beckett Trilogy: Molloy, Malone Dies and The Unnamable, by Samuel Beckett, writings selected by Colin Lovett and Judy Hegarty Lovett, directed by Judy Hegarty Lovett, performed by Conor Lovett. Gare St Lazare Players Ireland. Playhouse Theatre, Victorian Arts Centre. October 15.

Carnival of Mysteries, created and directed by Moira Finucane and Jackie Smith. Designed by The Sisters Hayes, costume design by Doyle Barrow, sound design by Adam Hunt, lighting design by Lin Tobias. With various artists. Fortyfive Downstairs until October 30.

come, been and gone, choreographed by Michael Clark. Compsers: David Bowie, Brian Eno, Bruce Gilbert & Wire, Kraftwerk, Lour Reed. Lighting design by Charles Atlas, costumes by Stevie Stewart, Richard Torry and Michael Clark. Danced by Harry Alexander, Kate Coyne, Melissa Hetherington, Brooke Smiley, Benjamin Warbis and Simon Williams. State Theatre, Victorian Arts Centre. Closed.

Thomas Adès & Calder Quartet. Piano, Thomas Adès; violin Andrew Bulbrook and Benjamin Jacobson; viola Jonathnan Maerschel and cello Eric Byers. Melbourne Recital Centre, October 11.

Intimacy, devised and directed by Adriano Cortese, text by Raimondo Cortese. Set and costumes by Anna Tregloan, lighting by Niklas Pajanti, sound design by David Franzke. With Beth Buchanan, Paul Lum and Patrick Moffatt. Malthouse Theatre, @ the Beckett, until October 23.

The Blue Dragon, by Robert Lepage and Marie Michaud, translated by Michael Mackenzie, directed by Robert Lepage. Set design Michel Gauthier, sound design by Jean-Sebastien Cote, choreographer Tai Wei Foo. With Henri Chasse, Marie Michaud and Tai Wei Foo. Ex Machina. Playhouse, Victorian Arts Centre, until October 12.

Stifter's Dinge (Stifter's Things), concept, music and direction by Heiner Goebbels. Set design, lighting and video by Klaus Grunberg, music collaboration and programming by Hubert Machnik, sound design by Willi Bop. Merlyn Theatre @ Malthouse Theatre, Melbourne International Arts Festival. Until October 12.

The Raft, by Bill Viola. Executive producer, Kira Perov. Performers: Sheryl Arenson, Robin Bonaccorsi, Rocky Capella, Cathy Chang, Liisa Cohen, Tad Coughenour, Tom Ficke, James Ford, Michael Irby, Simon Karimian, John Kim, Tanya Little, Mike Martinez, Petro Martirosian, Jeff Mosley, Gladys Peters, Maria Victoria, Kaye Wade, Kim Weild, Ellis Williams. ACMI 2, until February 20, 2011.

Thyestes, co-written and directed by Simon Stone, after Seneca. Co-written and performed by Thomas Henning, Chris Ryan and Mark Leonard Winter. Set and costumes by Claude Marcos, lighting by Govin Ruben, sound design by Stefan Gregory. The Hayloft Project and Malthouse Theatre, Tower Theatre. Melbourne Fringe Festival. Until October 9.

Bare Witness by Mari Lourey, directed by Nadja Kostich. Composer/musician Jethro Woodward, set and costumes Marg Howell, video Michael Carmody, lighting Emma Valente. With Isaac Drandic, Daniela Farinacci, Adam McConvell, Todd MacDonald and Maria Theodorakis. La Mama Theatre @ Fortyfive Downstairs, until September 26.

The City by Martin Crimp, directed by Adena Jacobs. Set design Dayna Morrissey, lighting Danny Pettingill, sound design Jared Lewis. With Fiona Macleod, Dion Mills, Meredith Penman and Fantine Banulski/Georgie Hawkins. Red Stitch until September 25.

Twelfth Night by William Shakespeare, directed by Lee Lewis. Designed by Anna Tregloan, lighting design by Luiz Pampolha, music and sound by Paul Charlier and Steve Toulmin. With Max Cullen, Ben Wood, Andrea Demetriades, Kit Brookman, Brent Hill, Elan Zavelsky and Adam Booth. Bell Shakespeare, Victorian Arts Centre, until September 18. Touring regional Australia, Canberra and Sydney until November.

Mix Tape, directed and choreographed by Stephanie Lake. Lighting design by Benjamin Cisterne (Bluebottle), sound design, Luke Smiles, costume design by Harriet Oxley. With Sara Black, Rennie McDougall, Timothy Ohl and Jorijn Vriesendorp. Next Move, Chunky Move Studios, until September 11.

The Trial, adapted by Louise Fox from the novel by Franz Kafka, directed by Matthew Lutton. Set designer Claude Marcos, costume design by Alice Babidge, lighting design by Paul Jackson, composer Ash Gibson Greig, sound design by Kelly Ryall. With John Gaden, Peter Houghton, Rita Kalnejais, Ewen Leslie, Belinda McClory, Hamish Michael and Igor Sas. Malthouse Theatre, Sydney Theatre Company. Merlyn Theatre, Malthouse, until September 4. Sydney Theatre Company, September 9 - October 16.

All About My Mother, by Samuel Adamson, based on the film by Pedro Almodóvar, directed by Simon Phillips. Set design by Stephen Curtis, costume design by Esther Marie Hayes, lighting design by Matt Scott, sound design by Matt Scott, composer Alberto Iglesias. With Paul Capsis, Blake Davis, Katie Fitchett, Wendy Hughes, David James, Jolyon James, Katerina Kotsonis, Peta Sergeant, Lourise Siversen and Alison Whyte. Melbourne Theatre Company, Sumner Theatre, MTC Theatre, until September 26.

This Kind of Ruckus, devised by Danielle Antaki, Sean Bacon, Arky Michael, Jane Phegan, Deborah Pollard, Christopher Ryan, Yana Taylor, Kym Vercoe and David Williams with Stephen Klinder. Performed by Valerie Berry, Arky Michael, Katia Molino, Kym Vercoe and David Williams. Video art by Sean Bacon, sound art by Gail Priest, lighting by Neil Simpson. Version 1.0 @ the Fairfax Studio, Victorian Arts Centre, until August 28.

Superheroes: concept and direction Jo Stone, written by Paul Castro. With Julian Crotti, Nick Bennett, Lewis Rankin, Jo Stone, Paulo Castro, Hew Parham, Nigel Major-Henderson. Stone/Castro. Arts House, North Melbourne Town Hall. (Closed)

Fraudulent Behaviour by Rosie Dennis and 2 Dimensional Life of Her by Fleur Elise Noble. Arts House Meat Market, Melbourne. (Closed). Darwin Festival, Aug 18 – 29; Brisbane Powerhouse Aug 20 – 28; Perth Institute of Contemporary Arts Sep 2-5; Salamanca Arts Centre, Hobart, Sep 8-11. Mobile States.

Sappho...in 9 fragments, written and performed by Jane Montgomery Griffiths. Staging by Marion Potts, set and costumes by Anna Cordingley, lighting design by Paul Jackson, composition and sound design Darrin Verghagen. Malthouse Theatre @ The Beckett until August 21.

Dying City by Christopher Shinn, directed by Matt Scholten. Designed by Kat Chan, lighting by Tom Willis, music by Ben Keene. With Zoe Ellerton-Ashley and Brad Williams. Hoy Polloy, MIPAC, Brunswick, until August 21. Bookings: (03) 9016 3873.

Do Not Go Gentle... by Patricia Cornelius, directed by Julian Meyrick. Designed by Marg Howell, usic and sound design by Irine Vela, lighting design by Richard Vabre. With Paul English, Jan Friedl, Rhys McConnochie, Terry Norris, Anne Phelan, Pamela Rabe and Malcolm Robertson. Fortyfive Downstairs until August 29.

Measure for Measure by William Shakespeare, adapted and directed by Benedict Andrews. Set design by Ralph Myers, costume design by Dale Ferguson, lighting design by Nick Schlieper, composition and sound design by Stefan Gregory. With Maeve Dermody, Damon Gameau, Ashley Lyons, Robin McLeavy, Robert Menzies, Arky Michael, Colin Moody, Steve Rodgers, Chris Ryan, Toby Schmitz, Helen Thomson and Frank Whitten. Belvoir St Theatre, Sydney (Closed).

Human Interest Story, choreographed by Lucy Guerin. Set design by Gideon Obarzanek, realising design by Anna Cordingley, costume design by Paula Levis, lighting design by Paul Jackson, composition and sound design by Jethro Woodward. Performed by Stephanie Lake, Alisdair Macindoe, Talitha Maslin, Harriet Ritchie, Stuart Shugg and Jessica Wong, with newscast by Anton Enus (World News Australia - SBS). Malthouse Theatre and Perth International Arts Festival, Merlyn Theatre. (Closed).

Dead Man's Cell Phone, by Sarah Ruhl, directed by Peter Evans. Melbourne Theatre Company. Sumner Theatre, MTC Theatre, Melbourne. July 1. Until August 7.

Maybe Forever, choreographed and performed by Meg Stuart and Philipp Gehmacher. Musician Niko Hafkenscheid. Lighting designer Jan Maertensm design by Janina Audick, sound design by Vincent Malfstaf. Damaged Goods and Mumbling Fish, presented by Malthouse Theatre and the Goethe Institute. Merlyn Theatre, Malthouse, Melbourne. June 23. Until June 26.

The Threepenny Opera, by Bertolt Brecht and Kurt Weill, adapted by Raimondo Cortese, lyrics by Jeremy Sams. Directed by Michael Kantor, conducted by Richard Gill. Set design by Peter Corrigan, costumes by Anna Cordingley, lighting by Paul Jackson, sound design by Peter Ripon, choreography by Kate Denborough. With Casey Bennetto, Paul Capsis, Judy Connelli, Jolyon James, Melissa Langton, Amy Lehpamer, Anna O'Byrne, Eddie Perfect, Dimity Shepherd, Grant Smith and John Xintavelonis. Music performed by Stuart Brownley, Daniel Carter, Bob Collins, Martin Corcoran, Doug de Vries, David McSkiming, Evan Pritchard, Bruno Siketa and Nic Synot. Malthouse Theatre and Victorian Opera @ the Merlyn Theatre, Malthouse, until June 19.

Bromance, directed Alisdair Macindoe, choregraphed by Alisdair Macindoe and Adam Synnott. Performed by Alisdair Macindoe, Lee Serle, Jay Robinson and Adam Synnott. Next Wave Festival @ Arts House Meat Market (closed); Performance Space, Carriageworks, Sydney, until June 5.

The Folding Wife, by Paschal Daantos Berry, directed by Deborah Pollard. Multimedia by Datu Arellano and Teta Tulat (Anino Shadowplay Collective); lighting design by Neil Simpson. Performed by Valeri Berry. Arts House North Melbourne Town Hall. Closed.

King Lear by William Shakespeare, directed by Marion Potts. Designed by Dale Ferguson, lighting design by Nick Schlieper, sound design by Stefan Gregory, composition by Bree van Reyk. With John Bell, Jane Montgomery-Griffiths, Rachel Gordon, Susan Prior, Peter Kowitz, Peter Carroll, Josh McConville, Tim Walter, Paul English, Anthony Phelan, Yalin Ozucelik, Keith Agius and Justin Stewart Cotta. Bell Shakespeare @ the Playhouse, Victorian Arts Centre, until June 12. Her Majesty's Theatre, Perth, June 18-26.

Moth, by Declan Greene, directed by Chris Kohn. Set and costume design by Jonathan Oxlade, lighting design by Rachel Burke, composer Jethro Woodward. With Sarah Ogden and Dylan Young. Malthouse Theatre and Arena Theatre Company, Tower Theatre, Malthouse, until May 30.

The Ugly One, by Marius von Mayenburg, translated by Maja Zade, directed by Peter Evans. Lighting design by Matt Scott. With Alison Bell, Patrick Brammall, Kim Gyngell and Luke Ryan. Lawler Studio, MTC Theatre, until June 12.

Hole in the Wall, text by Halcyon Mcleod, directed by Hallie Shellam. Concept by Clare Britton, Matt Prest, Hallie Shellam and Danny Egger. Set design by Clare Britton, Matt Prest and Danny Egger. Lighting design by Mirabelle Wouters. Original music, sound design and animation by James Brown. Performed by Matt Prest and Clare Britton. Next Wave Festival @ The Meat Market. Closed. Carriageworks, Sydney, May 26-29.

That Face by Polly Stenham, directed by Sarah Giles. Design by Claude Marcos, costumes design by Yunuen Perez Martinez, lighting design by Danny Pettingill, sound design by Caitlin Porter. With Tim Potter, Sarah Sutherland, Dion Mills, Lauren Henderson, Lucy Honigman and Fantine Banulski/Persia Hethorn-Faulkner. Red Stitch until May 29.

Cageling, devised from The House of Bernarda Alba by Federico García Lorca. Co-created, designed and directed, by Emma Valente & Kate Davis, sound design by Matt Davis, dramaturgy by Dan Spielman. With Daniel Schlusser, Pier Carthew, Dana Miltins, Mary Helen Sassman and Jayne Tuttle. Fortyfive Downstairs unti tomorrow night (booked out). Carriageworks, Sydney, June 24 to July 3.

Richard III, by William Shakespeare, directed by Simon Phillips. Set design, Shaun Gurton, costume design, Esther Marie Hayes, lighting design, Nick Schlieper, composer, Ian McDonald. With Nicholas Bell, Alison Whyte, Carl Nilsson-Polias, Ian Bliss, Ewen Leslie, Deidre Rubenstein, Jennifer Hagan, Anthony West, Meredith Penman, Humphrey Bower, Catherine Durkin, Zahra Newman, Roger Oakley, Ian Bliss, Paul Ireland, Bert LaBonte, James Saunders. Sumner Theatre, MTC Theatre, until July 12.

Crime and Punishment, by Fyodor Dostoevsky, adapted by Judith Armstrong, directed by Alex Menglet. With Denis Moore, Benedict Hardie and Rebecca Bower. Stork Theatre @ Alliance Francaise, 51 Grey St, St Kilda, until May 9.

The Grenade

Tony McNamara, directed by Peter Evans. MTC @ The Victorian Arts Centre Playhouse. (Australian review)

Elizabeth: Almost By Chance A Woman, by Dario Fo, freely adapted by Louise Fox and Luke Devenish, directed by Michael Kantor.Design by Anna Cordingley, lighting design by Mark Jones, sound design by Russel Goldsmith, choreography by Tony Bartuccio. With Bille Brown, Julie Forsyth, Mark Jones, Chris Ryan, Nikki Shiels and David Woods. Malthouse Theatre, until April 24.

Fatboy, by John Clancy, directed by Marclle Schmitz. Design by Peter Mumford, lighting design by Stelios Karagiannis, costume design Olga Makeeva and Peter Mumford, sound design by Russel Goldsmith. With Daniel Frederiksen, Olga Makeeva, Adam Pierzchalski, Andrea Swifte and Dion Mills. Red Stitch until April 17.

PropagandA, conceived and performed by Simon Yates and Jo Lancaster, featuring Grover and Fidel Lancaster-Cole. Production manager/rigger, Scott Grayland/Ryan Taplin. Music director, Tim Barrass. acrobat, commissioned by HotHouse @North Melbourne Arts House Meat Market until April 3.

My Stories, Your Emails, created and performed by Ursula Martinez, directed by Mark Whitelaw. Originally commissioned by Barbicanbite10 and Queer Up North International Festival, England. Malthouse Theatre @ the Melbourne International Comedy Festival . Beckett Theatre, CUB Malthouse, until April 3.

Ngurrumilmarrmiriyu (Wrong Skin), written, directed and designed by Nigel Jamieson in association with the company. Associate director/movement, Gavin Robins; associate director/community and cultural liaison Joshua Bond; costumes by Mathew McCall; film and video design by Scott Anderson, video production by Mic Gruchy, lighting designer Trudy Dalgleish, composition and sound design David Page and Basil Hogios, film footage by Gavin Robins, Scott Anderson, Alan Dowler and Nigel Jamieson. Malthouse Theatre until March 28.

Performers: Djakapurra Munyarrun, Djali Donald Ganambarr, Frances Djulibing, Rarriwuy Hick, Anthony Djamangi, Lionel Dhulmanawuy and Anthony Djamangi.

Chooky Dancers: Aaron Djimilkinya, Daren Matan, Nathan Guymangura, Gerald Dhamarrandji and Wakara Gondarra.

Finucane & Smith's Triple Bill of Wild Delight: The Feast of Argentina Gina Catalina, Salon de Dance DELUGE and Tooth & Nail. Devised by Moira Finucane and Jackie Smith, with numerous collaborators. La Mama Theatre, until March 28. Check the La Mama website for details of performance times.

Little Mercy, by Ash Flanders and Declan Greene, directed by Declan Greene. Costume design by Alice Swing, lighting design by Katie Sfetkidis, print media design by Andrew Downer. With Ash Flanders, Cara Mitchell, Sean-James Murphy and Susie Dee. Sisters Grimm @ Collingwood Underground Carpark, 48 Harmsworth St, Collingwood, until March 27. Bookings: Sisters Grimm.

Self Torture and Strenuous Exercise, by Harry Kondoleon, directed and designed by Ben Pfeiffer. With Marissa Bennett, Kristina Brew, Mick Lo Monaco and Josh Price. Artisan Collective, Guildford Lane Arts Gallery, Guildford Lane CBD, until March 13. Bookings: 0420 513 588.

Heroin(e) for Breakfast, written and directed by Philip Stokes. Set by Craig Lomas, costumes by Carley Marsh, lighting by Marie Dalton. With Kate Daley, Kirst Green, Craig McArdle and Hayley Shillito. Horizon Arts, Holden St Theatre, Adelaide Fringe, until March 14.

True West by Sam Shepard, directed by David Mealor. Design by Kathryn Sproul, lighting by Mark Pennington, sound design by Chris Petridis, composition by Cameron Goodall and Tristan Goodall. With Renato Musolino, Nick Garsden, Geoff Revell and Chrissie Page. Flying Penguin Productions @ Adelaide Centre for the Arts until March 14.

Bully, written and performed by Richard Fry. The Centre for International Theatre @ Higher Ground Art Base until March 14.

Le Grand Macabre, libretto by Michael Meschke and György Ligeti after Michel de Ghelderode. Theatre Royale de la Monnaie, English National Opera, Gran Teatro de Liceu and Teatro dell'Opera di Roma. Festival Theatre, Adelaide Festival, until March 4.

Vs Macbeth, by William Shakespeare, directed by Sam Haren. Design, Sam Haren and Melissa Page, sound design and composition David Heinrich, lighting design by Govin Ruben. With Alice Ansara, Cameron Goodall, David Heinrich, Amber McMahon, Ursula Mills, Zindzi Okenyo, Julia Ohannessian, Richard Pyros, Sophie Ross, Tahki Saul, Brett Stiller and Alirio Zavarce. Sydney Theatre Company and The Border Project, Odeon Theatre, Adelaide Festival, until March 6. Opening Wharf 2 Theatre, Sydney, on March 20.

En Route, concept by Julian Rickert, created by Bettybooke - Suzanne Kersten, Claire Korobacz, Paul Moir and Julian Rickert. Adelaide Fringe, until March 14.

The Rap Guide to Evolution, Baba Brinkman and SPL Productions. The Hive, The Garden of Unearthly Delights, Adelaide Fringe, until March 13.

My Name is Rachel Corrie, from writings by Rachel Corrie, edited by Alan Rickman and Katharine Viner, directed by Daniel Clarke. Design by Cassandra Backler, lighting and sound design by Ben Flett, video by Annemarie Kohn. Performed by Hannah Norris. X Space at AC Arts, Adelaide Fringe, until March 14.

Furious Mattress by Melissa Reeves, directed by Tim Maddock. Set and costumes by Anna Cordingley, lighting design by Paul Jackson, composition and sound design by Jethro Woodward. With Rita Kalnejais, Kate Kendall, Robert Menzies and Thomas Wright. The Malthouse @ The Beckett Theatre, until March 13.

Madagascar, by JT Rogers, directed by Sam Strong. Sets and costumes by Jo Briscoe, lighting design by Paul Jackson, sound design by Darrin Verhagen. With Asher Keddie, Noni Hazlehurst and Nicholas Bell. Melbourne Theatre Company @ the Fairfax Studio, Victorian Arts Centre, until April 3.

Lloyd Beckmann, Beekeeper, devised by Tim Stitz and Kelly Somes, directed by Kelly Somes, performed by Tim Stitz. Lighting design by Bronwyn Pringle, composition and sound design by Li Stringer, sound design and realisation by Neddwellyn Jones, aroma design by Jodie Ahrens. La Mama Theatre, closed.

The Swimming Club by Hannie Rayson, directed by Kate Cherry. Designed by Christina Smith, lighting by Matt Scott, sound design by Russell Goldsmith. With Tina Bursill, Caroline Gillmer, Megan Holloway, Nicholas Papademetriou, Angel Punch McGregor, Igor Sas and John Waters. Melbourne Theatre Company and Black Swan State Theatre Company. Sumner Theatre, Melbourne. Until March 14. Playhouse Theatre, Perth, March 27-April 18.

The Drowsy Chaperone, music and lyrics by Lisa Lambert and Greg Morrison, book by Bob Martin and Don McKellar, directed by Simon Phillips. Melbourne Theatre Company. Playhouse Theatre, Victorian Arts Centre. January 21. Until February 27. Tickets: $115. Bookings: 1300 723 038.

Acts of Deceit (Between Strangers in a Room), directed and written by Gary Abrahams, from a novel by James Baldwin. Sets and costumes by Kat Chan, lighting design by Katie Sfetkidis, sound design by Jim Westlake, music composition by Lachlan Tan and Geoff Chan. With Jay Bowen, Terry Yeboah, Dion Mills and Zoe Ellerton-Ashley. Dirty Theatre and La Mama Theatre, 2010 Midsumma Festival. Courthouse Theatre. January 22. Until February 7. Bookings: (03) 9347 6142. Tickets: $25.

66A Church Road: A Lament Made of Memories and Kept in Suitcases, by Daniel Kitson. Victorian Arts Centre. Fairfax Studio. January 15. Until January 31. Brisbane Powerhouse Centre for the Arts, February 2-7; Subiaco Arts Centre, Perth Festival, February 17-28.

Shane Warne: The Musical

Shane Warne: The Musical, by Eddie Perfect. Token Events and Trafficlight. Athenaeum Theatre. December 10. Until January 11. Regal Theatre, Perth, March 18-31. Enmore Theatre, Sydney, May 15-30.

Dust

Dust, written and directed by Donna Jackson, composed and performed by Mark Seymour. Music directed by Tracy Bourne, media and film by Malcolm McKinnon. With the Victorian Trade Union Choir, Willin Wimmin and the Ballarat Arts Academy Ensemble. Hubcap Productions with the Asbestos Diseases Society and the University of Ballarat. Williamstown Town Hall, closed.

Anatomy Titus, Fall of Rome

Anatomy Titus: Fall of Rome: A Shakespeare Commentary, by Heiner Müller, translated by Julian Hammond, and directed by Michael Gow. Designed by Robert Kemp, lighting design by Matt Scott, composition and sound design by Brett Collery. With John Bell, Robert Alexander, Thomas Campbell, Peter Cook, Scott Johnson, Nathan Lovejoy, Steven Rooke, Christopher Sommers and Timothy Walter. Bell Shakespeare and Queensland Theatre Company @ the CUB Malthouse until December 6.

Care Instructions, I Like This

Care Instructions by Cynthia Troup, directed by Margaret Cameron. Music by David Young, lighting design by Danny Pettingall. With Jane Bayly, Liz Jones and Caroline Lee. La Mama @ The Courthouse until November 29.

I Like This, choreographed and directed by Antony Hamilton and Byron Perry. Lighting and sound by Antony Hamilton and Byron Perry. Costumes by Paula Levis. With Antony Hamilton, Stephanie Lake, Alisdair Macindoe, Byron Perry and Lee Serle. Chunky Move - The Next Move, Chunky Move Studio, until November 29.

The Women of Troy

The Women of Troy by Euripides, adapted by Tom Wright and Barrie Kosky, directed by Barrie Kosky. Designed by Alice Babidge, lighting by Damien Cooper, musician Daryl Willis, sound design by David Gilfillan. With Robyn Nevin, Melita Jurisic, Arthur Dignam, Natalie Gamsu, Queenie van der Zandt, Jennifer Vuletic, Patricia Cotter and Kyle Rowling, Giorgios Tsamoudakis and William Larkin. Sydney Theatre Company presented by Malthouse Theatre, Merlyn Theatre, until November 22.

Avast and Avast II - The Welshman Cometh

Avast & Avast II - The Welshman Cometh, by Black Lung Theatre Company, presented by the Malthouse. With Sacha Bryning, Gareth Davies, Thomas Henning, Mark Winter, Thomas Wright and Dylan Young. Sound design and music by Liam Barton, lighting design by Govin Ruben. Tower Theatre, CUB Malthouse, until December 6.

The Hypocrite

The Hypocrite by Molière, adapted by Justin Fleming, directed by Peter Evans. Designed by Stephen Curtis, lighting by Matt Scott, music by Ian McDonald. Melbourne Theatre Company @ the Playhouse, Victorian Arts Centre until December 13. Bookings: 1300 723 038.

The Lower Depths

The Lower Depths by Maxim Gorky, directed by Ariette Taylor. Designed by Adrienne Chisolm, lighting by Emma Valente. With Adam Pierchalski, Bessie Holland, Alex Menglet, Chloe Armstrong, Denis Moore, Genevieve Picot, Evan Jureidini, Greg Stone, Luke Elliot, Heather Bolton, Malcolm Robertson, Marco Chiappi, Paul English, Natalia Novikova, Stewart Morritt and Syd Brisbane. Ariette Taylor Productions @ fortyfive downstairs until November 29.

The Masque of the Red Death, Yibiyung

The Masque of the Red Death, adapted from a story by Edgar Allan Poe, directed by John Bolton. Music by Jo Laing, set design by Jeminah Reidy, costumes by Jane Noonan, lighting design by Kimberly Kwa, sound design by Timothy Bright. Victoria College of the Arts Company 2008 Graduating Performance, Space 28, Dodds St, Southbank, until November 7.

Yibiyung by Dallas Winmar, directed by Wesley Enoch, dramaturgy by Lourise Gough. Set design by Jacob Nash, costumes design by Bruce McKinven, lighting design by Niklas Pajanti, composer and sound design by Steve Francis. With Jada Alberts, Jimi Bani, Sibylla Budd, Annie Byron, Russell Dykstra, Roxanne McDonald, David Page, Melodie Reynolds and Miranda Tapsell. Malthouse Theatre and Company B @ CUB Malthouse until November 16.

MIAF: That Night Follows Day

Festival Diary #12: Friday

That Night Follows Day by Tim Etchells. Tim Etchells & Victoria. Merlyn Theatre, CUB Malthouse. October 24.

MIAF: Appetite

Festival diary #11: Thursday

Appetite by Ross Mueller, directed by Kate Denborough. Set design by Kennedy Nolan Architects, lighting design by Niklas Pajanti, costumes by Paula Levis, composer New Buffalo (Sally Seltmann). Kage @ Fairfax Studio, Victorian Arts Centre, until today.

MIAF: Romeo and Juliet

Festival diary #10: Wednesday

Romeo and Juliet, by William Shakespeare, directed by Oskaras Koršunovas. Designed by Jurate Paulekaite, costumes by Jolanta Rimkute, lighting design by Eugenijus Sabaliauskas, choreography Vesta Grabštaite, music composed by Antanas Jasenka. OKT/Vilnius City Theatre @ the Playhouse until October 25.

MIAF: Endgame

Festival diary #9: Monday

Beckett: Endgame/Bach: Chaconne by Samuel Beckett and JS Bach. Directed by Anne Thompson and William Henderson, designed by Julie Renton, lighting design by Niklas Pajanti. With David Tredinnick, Peter Houghton, Evelyn Krape and Richard Bligh. Violin by Miwako Abe. The Eleventh Hour, Leicester St, Fitzroy, until October 25.

MIAF: Corridor

Festival diary #8: Sunday

Corridor choreographed by Lucy Guerin. Set design by Donald Holt, lighting design by Keith Tucker, costumes by Paula Levis, paper coats by Susie Gerraty, sound design by Haco. With Sara Black, Antony Hamilton, Kirstie McCracken, Byron Perry, Harriet Ritchie and Lee Serle. Lucy Guerin Inc @ the North Melbourne Meat Market until October 25.

MIAF: The Grey Autombile, England, 7 Important Things

Festival Diary #7: Thursday, Friday and Saturday

El Automovil Gris (The Grey Autombile), directed by Claudio Voldes Kurt. Teatro de Ciertos Habitantes. Merlyn Theatre, CUB Malthouse.

England, by Tim Crouch, directed by a smith and Karl James. Sound design by Dan Jones. With Tim Crouch and Hannah Ringham. The Ian Potter Centre, NGV Australia.

7 Important Things, by Nadia Ross and George Acheson. Designed by Barry Podolsky, lighting design by Steve Lucas. With George Acheson and Nadia Ross. STO Union @ Fairfax Theatre, Victorian Arts Centre. STO Union.

MIAF: DJ Spooky, The Book of Longing

Festival Diary #6: Wednesday and Thursday

Terra Nova Sinfonia Antarctica by Paul D Miller aka DJ Spooky That Subliminal Kid, performed with Alterego. Visual design by AJ Weissbard. Playhouse, Victorian Arts Centre, until Sunday.

The Book of Longing, lyrics, image and recorded voice by Leonard Cohen, music by Philip Glass. Directed by Susan Marshall, musical direction by Michael Riesman. Set design by Christine Jones, lighting by Scott Zielinski, adapted by Doug Witney. State Theatre, Victorian Arts Centre, closed.

MIAF: Food Court

Festival Diary #5: Sunday

Food Court, devised by the company, directed and designed by Bruce Gladwin. Lighting design by Andrew Livingston (bluebottle). Performed by Mark Deans, Rita Halabarec, Nicki Holland, Sarah Mainwaring and Scott Price. Music by The Necks, Chris Abrahams, Tony Buck and Lloyd Swanton. Back to Back Theatre @ the Merlyn Theatre (closed). 29-31 January 29-31, 2009, Geelong Performing Arts Centre: Bookings 03 5225 1200

MIAF: Two Faced Bastard, Interpreti Veneziani Baroque Ensemble

Festival Diary #4: Sunday and Tuesday

Two Faced Bastard, directed and choreographed by Gideon Obarzanek and Lucy Guerin. Set design by Ralph Myers, lighting design by Philip Lethlean, costume design by Paula Levis, composition by Darrin Verhagen, sound design Russell Goldsmith. With Vincent Crowley, Antony Hamilton, Michelle Heaven, Stephanie Lake, Brian Lipson, Byron Perry and Lee Serle. Chunky Move @ North Melbourne Meat Market.

Interpreti Veneziani Baroque Ensemble, Program 2 (Arcangelo Corelli, Antonio Vivaldi, Giovanni Paisiello and Felix Mendelssohn). BMW Edge.

MIAF: Patti Smith

Festival Diary #3: Sunday and Monday

Patti Smith in Concert, Hamer Hall; Patti Smith and Philip Glass: A Tribute to Allen Ginsberg, Playhouse Theatre, Victorian Arts Centre.

MIAF: The Big Game, Three, Kitten

Festival Diary #2: Saturday

The Big Game, directed by Sue Giles. Designed by Geoff Kennedy, lighting by Richard Vabre, music composed by Ania Reynolds, costumes designed by Ella Misso and Rebecca Clark. Polyglot Puppet Theatre, North Melbourne Meat Market.

Three, choreographed by Ohad Neharin. Costume design by Rakefet Levy, lighting design by Avi Yona Bueno, sound design by Ohad Fishof. Batsheva Dance Company @ the State Theatre.

Kitten, written and directed by Jenny Kemp. Set and costumes by Anna Tregloan, composition and sound design by Darrin Verhagen, lighting design by Niklas Pajanti, choreography by Helen Herbertson. With Christopher Connelly, Natasha Herbert, Kate Kendall and Margaret Mills. Malthouse Theatre until October 25.

MIAF: The Schönberg Ensemble, The Navigator

Melbourne Festival Diary #1: Thursday and Friday

The Schönberg Ensemble, Program 2. Conducted by Reinbert de Leeuw. Instrumental soloists Ger de Zeeuw, Joey Marijs, Sudanne van Els. Vocal soloist Barbara Hannigan. Micrographia by Michael Smetanin (2006), Umo Só Divina Linha by Jan van de Putte (2006), Kammerkonzert (1969/70) and Mysteries of the Macabre (1974/1977) by Györgi Ligeti. Hamer Hall, Victorian Arts Centre.

The Navigator, score by Liza Lim, libretto by Patricia Sykes, directed by Barrie Kosky, conducted by Manuel Nawri. Set design by Barrie Kosky and Alice Babidge, costumes by Alice Babige, lighting by Damien Cooper, sound design by Michael Hewes. With Andrew Watts, Talise Trevigne, Omar Ebrahim, Deborah Kayser and Philip Larson. Elision Ensemble. Playhouse, Victorian Arts Centre.

Hitlerhoff/Villanus

Fringe Festival: Hitlerhoff, written by Tom Doig, directed by Erin Kelly. Video by Anto Skene and Puck Murphy, sound by Keith McDouglass. With Tobias Manderson-Galvin, Simone Page Jones and Ezra Bix. North Melbourne Town Hall until October 11.

Villanus by Vlad Mijic and Rhys Auteri. Set design by Philippa Barr and Caroline Comino, lighting by Natalie Vincent, music by Raphael Hammond. Performed by Vlad Mijic. Welcome Stranger @ J-Studios, North Fitzroy (closed).

The Heart of Another is a Dark Forest / In the Arms of a Lion

Melbourne Fringe Festival: The Heart of Another is a Dark Forest, directed by Kate Sulan and Ingrid Voorendt. Set design by Emily Barrie, lighting design by Richard Vabre, sound design by Jethro Woodward, music by Zoe Barry. Rawcus and Restless Dance Company, Dancehouse.

In The Arms of a Lion, written by Peter van der Merwe, in collaboration with Penelope Chater. Directed by Penelope Chater, performed by Peter van der Merwe. Set by Brian Finlayson, lighting design by Katie Sfetkidis, sound design by Xana Chambers. White Swan Productions, Northcote Town Hall Studio 2 until October 4.

Just Macbeth

Just Macbeth by Andy Griffiths and William Shakespeare, directed by Wayne Harrison. Design by Pip Runciman, lighting design by Martin Kinnane, sound design by Tony David Cray. With Patrick Brammall, Pippa Grandison, Mark Owen-Taylor, Tim Richards, Rhiannon Owen and John Leary. Bell Shakespeare. Playhouse Theatre, Victorian Arts Centre, until October 5. Seymour Centre, Sydney, October 8-26.

The Zombie State

The Zombie State by Ben Ellis, directed by Daniel Schlusser. Set and costumes designed by Kate Davis, lighting design by Niklas Pajanti and Danny Pettingill, sound design by Darrin Verhagen. Melbourne Workers Theatre and Union House Theatre @ the Union Theatre, Melbourne University, until September 27.

Red Sky Morning

Red Sky Morning by Tom Holloway, directed by Sam Strong. Designed by Peter Mumford, lighting design by Danny Pettingill. With Erin Dewar, Sarah Sutherland and Erin Dewar. Red Stitch Theatre until September 27.

Vamp

Vamp by Meow Meow and Iain Grandage, directed by Michael Kantor, musical direction by Iain Grandage. Designed by Anna Tregloan, lighting design by Paul Jackson, dramaturgy Maryanne Lynch, choreography Shaun Parker. Performed by Meow Meow with the Orchestra of Wild Dogs: Sam Anning, Iain Grandage, Martin Kay, Igor Oskolov and Ben Vanderwal. Malthouse Theatre and Sydney Opera House @ the Merlyn Theatre, CUB Malthouse until September 20. Sydney Opera House, September 24-October 5.

The Lonesome West, The Time Is Not Yet Ripe

The Lonesome West by Martin McDonagh, directed by Görkem Acaroglu. Design by Emma Kingsbury, lighting design by Katie Sfetkidis, sound design by Ben Grant, music arranged and performed by Caitlin French. With Luke Elliot, Ben Grant, Mark Treginning and Gemma Falk. Tiny Dynamite Theatre @ Theatreworks until September 21.

The Time Is Not Yet Ripe by Louis Esson, directed by Jane Woollard. Design and set painting by Amanda Johnson, lighting design by Bronwyn Pringle. With Kurt Geyer, Ming Zhu-Hii. David Adamson, Don Bridges, Melanie Beddie, Tom Wren, Grant Cartwright, Georgina Capper, Sharon Davis and Mike McEvoy. Here Theatre and La Mama @ the Carlton Courthouse

Life is a Dream

Life is a Dream by Pedro Calderón, translations by Beatrix Christian, directed by Daniel Schlusser. Set and costumes by Marg Howell, lighting by Kimberley Kwa. With George Banders, Brendan Barnett, Johnny Carr, Andrew Dunn, Julia Grace, Sophie Mathisen, Vanessa Moltzen, Sarah Ogden and Josh Price. VCA Drama Company 2008

Ninety

Ninety by Joanna Murray-Smith, directed by Simon Phillips. Designed by Andrew Bellchambers, lighting design by Nick Schlieper. With Melinda Butel and Kim Gyngell. Melbourne Thetare Company @ the Fairfax Studio, Victorian Arts Centre

Cat on a Hot Tin Roof

Cat on a Hot Tin Roof by Tennessee Williams, directed by Gale Edwards. Set and costumes by Stephen Curtis, lighting design by Matt Scott, music composed by Paul Grabowsky. With Essie Davis, Martin Henderson, Rebekah Stone, Deidre Rubenstein, Chris Haywood, Gary Files, Grant Piro and Terry Norris. Melbourne Theatre Company @ the Playhouse Theatre, Victorian Arts Centre until September 13.

Lands End

Lands End by Philippe Genty. Compagnie Philippe Genty. State Theatre, Victorian Arts Centre, until August 16. Playhouse, Canberra Theatre Centre, August 20-23. Sydney Theatre at Walsh Bay, August 27-September 6. Her Majesty’s Theatre, Adelaide, September 10-13.

Axeman Lullaby

Axeman Lullaby, choreographed and directed by Phillip Adams, score by David Chisholm. Lighting design by Paul Jackson and Niklas Pajanti, costume design by Doyle Barrow. Musicians: Aaron Barnden and Peter Dumsday. Dancers: Joanne White, Clair Peters, Carlee Mellow, Stuaty Shugg and Jacon Brown. Axeman: Laurence O’Toole. BalletLab @ Chunky Move Studios until August 17.

On Ecstasy

Blackbird

Blackbird by David Harrower, directed by Peter Evans. Set and costumes by Christina Smith, lighting by Matt Scott, sound design by Ben Grant. With Greg Stone, Alison Bell and Georgia Flood. Melbourne Theatre Company @ CUB Malthouse, until August 16.

Hamlet

Hamlet by William Shakespeare, directed by Marion Potts. Designed by Fiona Crombie, lighting design by Nick Schlieper, composer Sarah Blasko. With Brendan Cowell, Colin Moody, Russell Kiefel, Heather Mitchell, Barry Otto, Chris Ryan, Laura Brent, Joe Manning, Tim Richards, Matthew Whittet, Darren Weller, Paul Reichstein and Sarah Blasko. Bell Shakespeare @ the Victorian Arts Centre until August 2.

The Inhabited Man, Holiday

The Inhabited Man by Richard Murphet, directed by Richard Murphet and Leisa Shelton. Design by Ryan Russell, sound design by Jethro Woodward. With Merfyn Owen, Adam Pierzchalski and Leisa Shelton. Full Tilt and Rear Windows Ensemble @ Space 28, Victorian College of the Arts until July 26. Bookings: 1300 136 166

Holiday, conceived and directed by Adriano Cortese, text by Raimondo Cortese. Set design by Anna Tregloan, Sound design by David Franzke, lighting by Niklas Pajanti. With Paul Lum and Patrick Moffatt. Ranters Theatre and Malthouse Theatre @ the Tower Theatre, CUB Malthouse

Meditations on SoundEye

...Sisters

…Sisters, adapted and directed by Chris Goode from Three Sisters by Anton Chekhov. Designed by Naomi Dawson, lighting design by Anna Watson. With Gemma Brockis, Catherine Dyson, Julia Innocenti, Helen Kirkpatrick, Tom Lyall and Melanie Wilson. Headlong Theatre @ The Gate, Notting Hill Gate, London

Relocated

Relocated, written and directed by Anthony Neilson. Designed by Miriam Buether, lighting by Chahine Yavroyan, sound design by Nick Powell. With Frances Grey, Phil McKee, Staurt McQuarrie, Katie Novak, Jan Pearson and Nicola Walker. Jerwood Theatre Upstairs, Royal Court, Sloane Square, London, until July 5.

Comus

Comus by John Milton, composed by Henry Lawes, directed by Annilese Miskimmon. Designed by Lachlan Goudie, musical direction by Richard Bates, costumes by Beth Sims, choregraphy by Kyra Cornwall. With David F. Walton, Mary-Ellen Lynell, Jenni Mackenzie, Ed Rowett, Ned Stuart-Smith, Olivia Marshall, Rachel Thomas, Charlotte Verrill, Maria Pritchard, Shu-Pin Oei, Emma Rhule and Helen Ivory. Christ’s College Amateur Dramatic Society.

Comus: A Reply by John Kinsella, directed by Simon Godwin. Designed by Lucy Minyo, music composed by Simon Gethin Thomas, choreography by Vikki Le May, lighting by Benjamin Sehovic. With David Brown, Amanda Plain, Helen Duff, Sam Pallis, Lowri Amies, Alashiya Gordes, Abigail Rokison, Iona Blair and Arthur Asseraf. The Marlowe Society. Double bill @ Christ’s College Hall, Cambridge University.

Scarlett O'Hara at the Crimson Parrot

Essay: Dan Spielman on Manna

Yes

Yes, by Sally Potter, directed by Tanya Gerstle. Lighting design by Richard Whitehouse, stage management by Canada White. Ensemble/co-creators: Grant Cartwright, Ella Watson-Russell, Emmaline Carroll, Anne-Louise Sarks. With Gary Abrahams, Grant Cartwright, Kane Felsinger, Carl Nilsson-Polias, Meredith Penman, Tim Potter, Ella Watson-Russell and Anne-Louise Sarks. OpticNerve Performance Group @ Fortyfive Downstairs. Closed June 7.

Frost/Nixon

Frost/Nixon, by Peter Morgan, directed by Roger Hodgman. Designed by Richard Roberts, costumes by Judith Cobb, lighting by Matt Scott, composer Paul Grabowsky. With John Adam, Jada Alberts, Bruce Myles, Marshall Napier, Yalin Ozucelik, Neil Pigot, Teague Rook, Kat Stewart, David Trendinnick and Greg Ulfan. Melbourne Theatre Company @ the Fairfax Studio, Victorian Arts Centre, until July 5.

How To Disappear Completely

How To Disappear Completely and Never Be Found, by Fin Kennedy, directed by Paul King, Sound design by George Bisset. With Michael F Cahill, Glen Hancox, Helen Hopkins, David Passmore and Tory Rodd. Hoy Polloy Mechanics Institute Performing Arts Centre, Corner of Sydney & Glenlyon Roads, Brunswick, until June 7)

Through The Looking Glass

Through The Looking Glass, after Lewis Carroll. Libretto by Andrew Upton, composed by Alan John. Conducted by Richard Gill, directed by Michael Kantor, set design, costumes and puppets by Peter Corrigan, lighting design by Paul Jackson. With Jacqueline Bathman, Emilia Bertolini, Kanen Breen, Francesca Codd, Margaret Haggart, Hayley Heath, Dana Hehir, David Hobson, Suzanne Johnston, Stephanie Pidcock, Gary Rowley and Dimity Shepherd. Malthouse Theatre and Victorian Opera @ The Merlyn Theatre, CUB Malthouse, until May 31.

Interview: Fin Kennedy

A Soldier's Tale

The Soldier's Tale by Igor Stravinsky, adapted by Simon Stone, directed by Michael Robinson, conducted by Fabian Russell. Lighting design by Kerry Ireland, set design by Michael Robinson, sound by Richard Buxton. Actors: Frank Gallacher, Bonnie Paskas, David Whitely and Mark Winter; musicians: Zoe Black, Frank Celata, Tristram Williams, Robert Cossom, Kieran Conrau, Jill Griffiths and Adam Mikulicz. The Hayloft Project @ the Abbotsford Convent until May 10.

Venus in Furs

Venus in Furs, by Leopold von Sacher-Masoch, adapted by Neal Harvey, directed by Marcel Dorney. Design by Lucie Sprague, lighting design by Tristan Bourke, sound design and compisition by Dani Kirby. With Angus Grant, Joel Radcliffe and Karen Roberts. Elbow Room @ Theatreworks, St Kilda, Melbourne, until May 18.

Ollie and the Minotaur

Ollie and the Minotaur, by Duncan Graham, directed by Sarah John. With Sarah Brokensha, Adriana Bonaccurso and Wendy Bos. floogle in association with 9minds, @ fortyfivedownstairs, until May 10.

Notes on The Serpent's Teeth

Venus & Adonis

Venus & Adonis by William Shakespeare, directed by Marion Potts. Set and costumes by Anna Tregloan, lighting design by Paul Jackson, composition by Andrée Greenwell, sound design by David Franzke. With Melissa Madden Gray and Susan Prior, music performed by Ben Hauptmann, David Hewitt and Ryan Williams. Malthouse Theatre and Bell Shakespeare, @ The Beckett, CUB Matlhouse, until May 4.

Haneef: The Interrogation

Haneef: The Interrogation, by Graham Pitts, directed by Gorkem Acaroglu. Lighting design by Dori Bicchieri, set consultant Anna Cordingley. With Simon King and Adam McConvell. Courthouse Theatre, Lama, until May 3.

The 39 Steps

The 39 Steps, adapted by Patrick Barlow, from an original concept by Simon Corble and Nobby Dimon, directed by Maria Aitken. Designed by Peter McKintosh, lighting design by Jon Buswell, sound design by Mic Pool. With Helen Christinson, Marcus Graham, Grant Piro and Tony Taylor. Melbourne Theatre Company @ the Playhouse Theatre, Victorian Arts Centre, until May 10.

The Winterling, The Ghosts of Ricketts Hill

The Winterling by Jez Butterworth, directed by Andrew Gray. Set design by Peter Mumford, lighting design by Stelios Karagiannis, costumes by Naomi Clegg. With Steven Adams, Nicholas Bell, Ella Caldwell, Adrian Mulraney and Martin Sharpe. Red Stitch Actors Theatre until April 19. Bookings: 9533 8082

The Ghosts of Ricketts Hill, directed by Neil Gladwin. With Joseph O'Farrell, Miles O'Neill and Glen Walton. Suitcase Royale @ The Bosco, Federation Square, Comedy Festival, until April 5.

Holding The Man

Holding The Man, adapted by Tommy Murphy from the book by Timothy Conigrave, directed by David Berthold. Set design by Brian Thomson, costumes by Micka Agosta, lighting design by Stephen Hawker, composition and sound design by Basil Hogios. With Jeanette Cronin, Nicholas Eadie, Guy Edmonds, Eve Morey, Brett Stiller and Matt Zeremes. Melbourne Theatre Company in association with Griffin Theatre, Merlyn Theatre, CUB Malthouse.

Comedy Festival: Heard It On The Wireless: The Kransky Sisters, with Annie Lee, Christine Johnston and Carolyn Johns, Athenaeum Theatre (season over); The Jinglists, directed by Ansuya Nathan, with Warwick Allsop and Tamlyn Henderson, Bosco Theatre, Federation Square until April 13; The China Incident, written and directed by Peter Houghton, sound design by David Franzke, performed by Anne Browning, The Tower, CUB Malthouse, until April 12.

Moving Target

Moving Target by Marius Von Mayenburg, translated by Maja Zade, directed by Benedict Andrews. Set by Robert Cousins, costumes by Fiona Crombie, lighting design by Paul Jackson, sound design by Hamish Michael. With Alison Bell, Julie Forsythe, Rita Kalnejais, Robert Menzies, Hamish Michael and Matthew Whittet. Malthouse Theatre @ The Beckett until March 29, Sydney Opera House April 2-13.

Nightshift

Nightshift, by Phil Motherwell, directed by Phil Motherwell and Shiralee Hood. Lighting by Gabriel Townsend, projections by Ian De Grucy, photography by Rodney Manning, music by Joe Dolce. With Gary Carter, Jack Charles, Isaac Drandich, Shiralee Hood and Bill Tisdall. La Mama until March 23.

Love Song

Love Song by John Kolvenbach, directed by Craig Ilott. Designed by Nicholas Dare, lighting by Jon Buswell, composer Basil Hogios, a/v by Brian Hughes. With Caroline Craig, Greg Stone, Thomas Wright and Julia Zemiro. Melbourne Theatre Company @ the Fairfax Studio, Victorian Arts Centre until April 19.

Chekhov Re-Cut: Platonov

Chekhov Re-Cut: Platonov, by Anton Chekhov, adapted and directed by Simon Stone. Design by Evan Granger, lighting by Danny Pettingill, sound by Jared Lewis. With Jessamy Dyer, Amanda Falson, Angus Grant, Adrian Mulraney, Eryn-Jean Norvill, Meredith Penman, Simon Stone and Chris Ryan. The Hayloft Project @ The Hayloft, corner Harris and Whitehall Steets, Footscray, until March 16.

Rock'n'Roll

Rock’n’Roll by Tom Stoppard, directed by Simon Phillips. Designed by Stephen Curtis, costumes by Tracy Grant Lord, lighting by Matt Scott, A/V by Josh Burns, sound design by Kerry Saxby. With Chloe Armstrong, Christopher Brown, Melinda Butel, Grant Cartwright, Danielle Cormack, Alex Menglet, Matthew Newton, Genevieve Picot, Richard Sydenham and William Zappa. Melbourne Theatre Company @ the Playhouse Theatre, Victorian Arts Centre, Melbourne, until March 29, Sydney Theatre Company April 11-May 10.

Asylum by Kit Lazaroo, directed by Jane Woollard. Design by Amanda Johnson, lighting design by Richard Vabre, sound design by Peter Farnan. With Glynis Angell, Tom Considine, Fanny Hanusin and Tim Stitz. La Mama Theatre, Carlton, until March 8.

Interview: Marius von Mayenburg

Tartuffe

Tartuffe by Molière, adapted by Louise Fox, directed by Matthew Lutton. Companion artist Neil Armfield. Set and costumes by Anna Tregloan, lighting by Paul Jackson, composer Peter Farnan. With Laura Brent, Marcus Graham, Francis Greenslade, Peter Houghton, Rebecca Massey, Barry Otto, Ezekiel Ox, Luke Ryan and Alison Whyte. Malthouse Theatre until March 8.

The Mercy Seat

The Mercy Seat by Neil LaBute, directed by Alex Papps. Designed by Peter Mumford, lighting design by Stelios Karagiannis, sound by Alex Papps and Mike Levi. With Jane Badler and Simon Wood. Red Stitch Actors Theatre, Red Stitch, until March 8.

On Joanna Murray-Smith

This Is Good Advice

This Is Good Advice: This Is A Chair by Caryl Churchill, Advice to Iraqi Women by Martin Crimp, directed by Lauren Barnes. Sound design by Rueben Stanton, set design by Rhys Auteri and Vlad Mijic, set illustrations by Vlad Mijic and Harriet O'Donnell. Welcome Stranger @ Trades Hall, Carlton, until February 10.

Sweeney Todd

The Season at Sarsaparilla

The Season at Sarsaparilla by Patrick White, directed by Benedict Andrews. Design by Robert Cousins, costumes by Alice Babidge, lighting by Nick Schlieper, music by Alan John, sound design by David Gilfillan. With Martin Blum, Brandon Burke, Peter Carroll, Eden Falk, John Gaden, Hayley McElhinney, Amber McMahon, Jessica Marais, Colin Moody, Luke Mullins, Pamela Rabe and Emily Russell. STC Actors Company @ at the MTC, Playhouse Theatre, Victorian Arts Centre, until February 16.

Don Juan in Soho

Don Juan in Soho by Patrick Marber, directed by Peter Evans. Set and costumes by Fiona Crombie, lighting by Matt Scott, sound by David Franzke. With Craig Annis, Angus Cerini, Daniel Frederiksen, Katie-Jean Harding, Bob Hornery, Kate Jenkinson, Bert Labonte, Christen O’Leary, James Saunders and Dan Wyllie. Melbourne Theatre Company @ the Fairfax Studio, Victorian Arts Centre, Melbourne, until February 16.

Brindabella, choreographed by Phillip Adams and Miguel Gutierrez, composed by David Chisholm. Set and lighting design by Andrew Livingston, Ben Cisterne and Ben Cobham of Bluebottle, costume design by Doyle Barrow. With Derrick Amanatidis, Tim Harvey, Luke George and Brooke Stamp. Music performed by Lachlan Dent, Peter Dumsday, Timothy Phillips and Nic Synot. BalletLab and Malthouse Theatre, Merlyn Theatre, CUB Malthouse until December 8. Bookings: 9685 5111.

Aether, choreographed by Lucy Guerin, composed by Gerald Mair. Motion graphics by Michaela French, costumes by Paula Levis, lighting by Keith Tucker. With Antony Hamilton, Kyle Kremerskothen, Stephanie Lake, Lina Limosani, Harriet Ritchie and Lee Serle. Lucy Guerin Inc and Malthouse Theatre, Merlyn Theatre, CUB Malthouse.

Not What I Am Othello Retold by William Shakespeare, directed by Anne Thompson. Conception and dramaturgy by Anne Thompson, Stuart Orr, David Treninnick and cast. Design by Julie Renton, lighting by Kick Pajanti, composer Wally Gunn. With Rodney Afif, Shelly Lauman, David Trendinnick, Jane Nolan, Stuart Orr and Greg Ulfan. The Eleventh Hour, The Eleventh Hour Theatre, Melbourne, until December 15.

Motortown by Simon Stephens, directed by Laurence Strangio. Design by Peter Mumford, lighting by Richard Vabre. With Richard Bligh, Brett Cousins, Cleo Coleman, Verity Charlton, Dion Mills, Sarah Sutherland and David Whitely. Red Stitch Actors Theatre @ Red Stitch Theatre, Chapel St, St Kilda, Melbourne. November 23. Until December 22.

A Large Attendance in the Antechamber, written, designed and performed by Mr Brian Lipson and Sir Francis Galton. Tower Theatre @ The CUB Malthouse until December 9.

Letters from Animals by Kit Lazaroo, directed by Jane Woollard. Design by Amanda Johnson, lighting design by Bronwyn Pringle, sound design by Colin James and Jane Woollard. With Glynis Angell, Georgina Capper and HaiHa Le. Here Theatre and Store Room Theatre Workshop until November 25.

The Madwoman of Chaillot by Jean Giraudoux, adapted by Maurice J. Valency, directed by Simon Phillips. Designed by Stephen Curtis, lighting design by Toby Sewell, composer Ian McDonald. With Melinda Butel, Mitchell Butel, Melissa Chambers, Julie Forsyth, Francis Greenslade, Sam Hryckow, Sue Ingleton, Bert Labonte, Alex Menglet, Stephen Phillips, Grant Piro, Greg Stone, Magda Szubanski and Kerry Walker. Melbourne Theatre Company @ the Playhouse Theatre, Victorian Arts Centre, Melbourne. November 14. Until December 15.

A Dollhouse by Henrik Ibsen, directed by Daniel Schlusser. Set design by Jeminah Reidy, costumes by Tiffany Abbott, lighting design by Kimberly Kwa, surround sound by Tessa Eleiff, composer Johnny Milner.With Katherine Harris, Nick Jamieson, Michael Wahr, Edwina Wren, Ben Pfeiffer and Veronica Bryant/Heloise Jackson. Company 2007, Victorian College of the Arts, 28 Dodds St, Southbank, until November 6.

The Chosen Vessel, from stories by Barbara Baynton, directed by Stewart Morritt. Design by Peter Mumford, lighting design by Felicity Hoare. With Chloe Armstrong, Joe Clements and Margot Knight. Petty Traffickers @ Theatreworks until November 18.

King Lear by William Shakespeare, directed by Brian Lipson. Set design by Noami Wong, costumes by Jessica Daly, lighting design by Tom Willis, A/V design by Martyn Coutts. With Ben Hjorth, Celia Mitchell, Julia Markowski, Joanne Trentini, Brendan McCallum, Anthony Winnick, Gerard Lane, Cameron Moore, Brett Christian, Stuart Bowden, Tim Ross and Grant Foulkes. Victorian College of the Arts Company 2007 @ Space 28, 28 Dodds St, Southbank until November 6.

Programs A and B, Merce Cunningham Dance Company. Choreography by Merce Cunningham, musical direction by Takehisa Kasugi. Danced by Jonah Bokaer, Lisa Boudreau, Julie Cunningham, Brandon Callwes, Emma Desjardins, Halley Farmer, Jennifer Goggans, Daniel Madoff, Rashaun Mitchell, Koji Mizuta, Marcie Munnerlyn, Daniel Squire, Robert Swinston and Andrea Weber. State Theatre, Victorian Arts Centre.

Program A: Suite For Five (1956), music by John Cage, costumes by Robert Rauschenberg, lighting by Beverly Emmons. eyeSpace (2006), music by Mikel Rouse, design by Daniel Arsham, lighting by Josh Johnson. Biped (1999), music by Gavin Bryars, design by Shelley Eshkar and Paul Kaiser, costumes by Suzanne Gallo, lighting by Aaron Capp.

Program B: Views on Stage (2004), music by John Cage, design by Ernesto Neto, costumes by James Hall, lighting by Josh Johnson. Split Sides (2003), music by Radiohead and Sigur Rós, design by Robert Heishman and Catherine Yass, costumes by James Hall, lighting by James F. Ingalls.

Glow, conceived and choreographed by Gideon Obarzanek. Concept and interactive design system by Frieder Weiß. Original music and sound design by Luke Smiles, additional music by Ben Frost. Dancers: Kristy Ayre, Sara Black, Amber Haines and Bonnie Paskas. Chunky Move @ Chunky Move Studio, until tonight.

European House, conceived and directed by Alex Rigola. Design by Sebastià Brosa, Bibiana Puigdefàbregas, lighting design by Maria Domènech, costumes by M. Rafa Serra, sound design by Ramon Ciércoles. With Chantal Aimée, Àlex Rigola, Joan Carreras, Víctor Pi, Àngela Jové, Nathalie Labiano, Norbert Martínez, Alba Pujol, Alícia Pérez, Joan Raja, Julio Manrique and Ferran Carvajal. Teatre Lliure @ the Playhouse, Victorian Arts Centre, until October 27.

Titus, after William Shakespeare’s Titus Andronicus. Created by Kuno Bakker, Manja Topper, Oscar van Woensel, Gillis Biesheuval, Sara De Roo, Ceon Jongsma and Anne Karin Ten Bosch. Translated into Dutch by Manja Topper and Juno Bakker and back into English by Paul Evans. Lighting and sound by Rene Rood and Iwan Van Vlieberghe. Performed by Oscar van Woensel, Manja Topper, Kuno Bakker, Gillis Biesheuval and Sara de Roo. Dood Paard @ the Malthouse Workshop until October 27.

Hunger, devised and created by rawcus and musicians from the Melbourne Symphony Orchestra, directed by Kate Sulan. Designed by Emily Barrie, lighting design Richard Vabre, dramatury/choreography by Ingrid Voorendt, original music by Jethro Woodward. rawcus @ Arts House Meat Market until October 24.

Meow Meow: Beyond Beyond Glamour: The Remix. Meow Meow with Paul Grabowsky on piano. The Famous Spiegeltent.

Homeland by Laurie Anderson. Laurie Anderson with Eyvind Kang, Jamshied Sharifi and Skuli Sverrisson. Hamer Hall until October 19.

Kagemi: Beyond the Metaphor of Mirrors, directed, choreographed and designed by Ushio Amagatsu. Music by Takashi Kako and Yoichiro Yoshikawa. Dancers Ushio Amagatsu, Semimaru, Sho Takeuchi, Akihito Ichihara, Taiyo Tochiaki, Ichiro Hasegawa and Dai Matsuoka. Sankai Juku, State Theatre, Victorian Arts Centre until October 20.

The Show Must Go On by Jérôme Bel. Playhouse Theatre, Victorian Arts Centre, until October 18.

Sizwe Banzi Is Dead by Athol Fugard, John Kani and Winston Ntshona, directed by Peter Brook. Adapted into French by Marie Helene Estienne. Lighting design by Phillipe Vialatte. With Habib Dembélé and Pitcho Womba Konga. Merlyn Theatre, CUB Malthouse, until October 27. Geelong (GPAC October 30-31), Bendigo (The Capital, November 2-3), Adelaide (Festival Centre November 6-17), and Sydney (Playhouse, Sydney Opera House, November 26 to December 16).

medEia, devised and performed by Oscar van Woensel, Manja Topper and Kuno Bakker. Beckett Theatre, CUB Malthouse, Melbourne, until October 20.

C-90, written directed and performed by Daniel Kitson. Fairfax Studio, Victorian Arts Centre, until October 27. Bookings: 1300 136 166.

This Show Is About People, directed and choreographed by Shaun Parker. Musical direction by Mara Kiek and Llew Kiek, set and costume design by Robert Cousins, sound design by Peter Kennard. Collaborative performers Anton, Matt Cornell, Marnie Palomares and Guy Ryan, collaborative musicians Jarnie Birmingham, Tobias Coles, Sylvia Entcheva, Llew Kiek and Mara Kiek. Merlyn Theatre, Malthouse until October 14.

Half Life by John Mighton, directed by Daniel Brooks. Design by Dany Lyne, lighting by Andrea Lundy. With Richard Clarkin, Laura de Carteret, Barbara Gordon, Carolyn Hetherington, Maggie Huculak, Robert Perichini and Eric Peterson. Playhouse Theatre, Arts Centre, until October 15.

The Temptation of St Anthony, from the novel by Gustave Flaubert. Direction, set design and lighting concept by Robert Wilson, music and libretto by Bernice Johnson Reagon. Costumes by Geoffrey Holder, lighting design by AJ Weisbard, sound design by Peter Cerone, music direction by Toshi Reagon. State Theatre, Victorian Arts Centre, Melbourne. October 11. Until October 14.

The Tell-Tale Heart (after Edgar Allan Poe), adapted and directed by Barrie Kosky, performed by Martin Niedermair and Barrie Kosky. Design adapted by Anna Tregloan (set) and Paul Jackson (lighting) from original designs by Michael Zerz (set and lighting) and Alfred Mayerhofer (costume). Malthouse Theatre @ the Malthouse Workshop until October 20.

The Homecoming by Harold Pinter, directed by Duncan Graham. Designed by Sarah John, lighting design by Nic Mollison, sound design by Andrew Howard. With Don Barker, Wayne Anthoney, Wendy Bos, Nathaniel Davison, Patrick Graham and Renato Musilino. Floogle @ The Studio, Holden Street Theatres, Hindmarsh, Adelaide, until October 20.

Fringe Festival: Cake by Astrid Pill, directed by Ingrid Voorendt. Designed by Gaelle Mallis, lighting design by Geoff Cobham, composition by Zoe Barry. With Astrid Pill and Zoe Barry. Vitalstatistix and Malthouse Theatre @ The Tower until October 7.

Kin, directed by Stephen Page. Design by Stephen Page, lighting design by Glenn Hughes, videography by Douglas Watkin. With Isileli Jarden, Sean Page, Ryan Jarden, Josiah Page, Samson Page, Hunter Page-Lochard and Curtis Walsh-Jarden. Malthouse Theatre @ The Merlyn Theatre until October 6. Bookings: 9685 5111.

Fringe Festival: Hotel Obsino, written and directed by Adam Broinowski. Sound by Andrew Williamson, lighting by Gwendolyna Holmberg-Gilchrist. With Tom Davies, Eric Mitzak, Tahir Cambis, Le Roy Parsons, Melanie Douglas, Brendan Bacon and Dylan Lloyd, Erick Mitsak, Craig Hedger and Polash Larsen. La Mama until September 30. The Jerilderie Letter by Ned Kelly, directed by Lloyd Jones. With Peter Finlay and Malcom Hill (guitar). La Mama until September 30.

Dickens’ Women by Miriam Margolyes and Sonia Fraser, directed by Sonia Fraser. With Miriam Margolyes, live music performed by John Martin. Lighting design by Mark Hammer, design consultant Nick Dare. Playhouse @ the Victorian Arts Centre, Melbourne. September 20. Until September 23. Touring Brisbane, Frankston, Hobart, Sydney, Newcastle, Parramatta, Adelaide, Perth and Canberra until November 25.

Boston Marriage by David Mamet, directed by Wayne Pearn. Designed by Paul King, lighting by Stelios Karagiannis, sound design by Chris Milne. With Corinne Davies, Helen Hopkins and Eleanor Wilson. Hoy Polloy @ the Mechanics Institute Performing Arts Centre, Brunswick, until October 6.

Mercury Fur by Philip Ridley, directed by Ben Packer. Designed by Adam Gardnir, sound design by Kelly Ryall, lighting design by Danny Pettingill. With Paul Ashcroft, Gareth Ellis, Fiona Macys, Luke Mullins, Aaron Orzech, Russ Pirie and Xavier Samuel. Little Death Productions @ Theatreworks, Melbourne until September 16. Bookings: 9534 3388. Griffin Theatre, Sydney. September 27-October 13.

The Lord of the Flies, based on the novel by William Golding, adapted by Nigel Williams, directed by Bob Pavlich. La Trobe University Student Theatre @ Trades Hall

Villanus, by Vlad Mijic and Rhys Auteri. Performed by Vlad Mijic, with Raphael Hammond (video). Lighting and set design by Vlad Mijic, music by Raphael Hammond. Welcome Stranger Theatre Company, Old Council Chambers, Trades Hall, until September 2.

Who’s Afraid of Virginia Woolf? by Edward Albee, directed by Peter Evans. Design by Christina Smith, lighting design by Matt Scott, sound design by Ben Grant. With Alison Bell, Wendy Hughes, Garry McDonald and Stephen Phillips. Melbourne Theatre Company @ the Fairfax Studio, Victorian Arts Centreu, ntil October 6.

Holiday by Raimondo Cortese, directed by Adriano Cortese. Design by Anna Tregloan, sound design by David Franzke, lighting design by Niklas Pajanti. With Paul Lum and Patrick Moffat. Ranters Theatre @ Arts House, North Melbourne Town Hall.

Chapters from the Pandemic, written, directed and performed by Angus Cerini. Design by Marg Howell, music composition and sound design by Kelly Ryall, lighting by Rachel Burke, video design by Michael Carmody. Doubletap @ fortyfivedownstairs.

Criminology, devised by Rosemary Myers and written by Lally Katz and Tom Wright. Design by Anna Tregloan, video design direction Peter Brundle, video design Chris More, lighting design Paul Jackson, composition Jethro Woodward. With Gemma Cavoli, Jing-Xuan Chan, Simon Maiden, Bojana Novakovic, Luke Ryan and Samantha Tolj. Arena Theatre and Malthouse Theatre @ the Merlyn Theatre, CUB Malthouse until August 19.

The Glass Soldier by Hannie Rayson. Melbourne Theatre Company, Playhouse Theatre, Victorian Arts Centre. August 8. Until September 8.

The Tragedy of Hamlet, Prince of Denmark, adapted and directed by Oscar Redding. A Poor Theatre Film. Melbourne International Film Festival

4:48 Psychosis by Sarah Kane, directed by Alyson Campbell. With Richard Bligh, Olivia Connolly, Tom Davies and Suzette Williams. Red Stitch Actors Theatre, until July 26.

King Lear by William Shakespeare and The Seagull by Anton Chekhov, directed byTrevor Nunn. Designed by Christopher Oram, lighting design by Neil Austin, music composed by Stephen Edis, sound design by Fergus O’Hare. With Ian McKellan, Frances Barber, Monica Dolan, William Gaunt, Romolo Garai, Richard Goulding and other members of the RSC. Royal Shakespeare Company @ the State Theatre, Victorian Arts Centre, until August 5.

Love Me by Lucy Guerin. Motions graphics by Michaela French, lighting design by Keith Tucker, visual art by David Rosetzky, music and sound design Francois Tetaz, Paul Healy and Darrin Verhagen. With Stephanie Lake, Kyle Kremerskothen, Kirstie McCracken and Byron Perry. Arts House, Meat Market, 5 Blackwood Street, North Melbourne, until July 28.

Thom Pain (Based on Nothing) by Will Eno, directed by Julian Meyrick. Lighting by Kerry Saxby, design consultant Meredith Rogers. With Neil Pigot. Melbourne Theatre Company @ the Beckett Theatre, CUB Malthouse, until August 11. Bookings: 1300 136 166.

The Eisteddfod, by Lally Katz, directed by Chris Kohn. Design by Adam Gardnir, lighting design by Richard Vabre, sound by Jethro Woodward. With Luke Mullins and Katherine Tonkin. Stuck Pigs Squealing @ the Tower Theatre, CUB, produced by Malthouse Theatre, until July 29.

The Quivering: A Matter of Life and Death, devised by the cast and director. Directed by Nikki Heywood, dramaturgy by Virginia Baxter, set design by John Levery, video by Suzon Fuks, lighting design Andrew Meadows, sound design by Brett Collery. With Dawn Albinger, Scotia Monkivitch and Julie Robson. SacredCOW @ La Mama Courthouse until July 22.

Sleeping Beauty: This Is Not A Lullaby, directed by Michael Kantor. Devised Paul Jackson, Maryanne Lynch and Anna Tregloan. Scenario by Maryanne Lynch and Michael Kantor, design by Anna Tregloan, lighting by Paul Jackson, choreography by Tony Bartuccio. With Alison Bell, Renée Geyer, Grant Smith and Ian Stenlake, music performed by Simon Burke, Peter Farnan, John Favaro and Andrew Sylvio. Malthouse Theatre @ Merlyn Theatre, CUB Malthouse, until July 28.

The China Incident, written, directed and designed by Peter Houghton. Lighting design by Michael Jewell, sound design by David Franzke. With Anne Browning. Newtown Honey by Marty Dennis, directed by Beng Oh. Lighting design by Matthew Barber. With Lauren Clair and Curtis Fernandez. La Mama Theatre until July 15.

The Burlesque Hour More More More! with Moira Finucane, Azaria Universe, Yumi Umiumare and Angus Cerini. Fortyfivedownstairs, City, until July 7.

A Slight Ache by Harold Pinter, directed by Matt Scholten. Designed by Shayne Greenman, costume design by Kylie Wake, sound and lighting by Simon Prentice. With Lou Endicott, Troy Larkin and Lawrence Price. If Theatre @ Chapel off Chapel (closed Sunday).

Osama the Hero by Dennis Kelly, directed by Syd Brisbane. Designed by Kate Davis, sound design Tommy Spender, lighting design by Nik Pajanti. With Jessie Beck, Kevin Hopkins, Hannah Norris, Xavier Samuel and Thomas Wright. The Rabble @ La Mama Courthouse Theatre untilJuly 7.

Ying Tong: A Walk with the Goons by Roy Smiles, directed by Richard Cottrell. Set and costume design Michael Scott-Mitchell, lighting design Damien Cooper, sound effects by Paul Charlier, sound design by Jeremy Silver. With Jonathan Biggins, Tony Harvey, David James and Geoff Kelso. Sydney Theatre Company presented by the Melbourne Theatre Company @ the Arts Centre Playhouse until July 28.

Circus Oz: Under the Big Top. Various artists. Birrarung Marr Park (between Federation Square & Batman) until July 15.

Othello by William Shakespeare, directed by Marion Potts. Set design Ralph Myers, costumes by Brice McKinven, light design Nick Schlieper, composition and sound design Max Lyandvert and Stefan Gregory. With Bob Baines, Wayne Blair, Mitchell Butel, Anni Finsterer, Marcus Graham, Michael Habib, Ron Haddrick, Chris Ryan, Leeanna Walsman and Tom Wren. Bell Shakespeare @ Arts Centre Playhouse (closed), Drama Theatre, Sydney Opera House, until July 28, Orange Civic Centre August 2-4.

Enlightenment by Shelagh Stephenson, directed by Julian Meyrick. Set design by Ralph Myers, costume design by Miranda Flynn, lighting design by Paul Jackson, composer Tim Dargaville. With Nicholas Bell, Caroline Brazier, Grant Cartwright, Beverly Dunn, Lewis Fiander and Sarah Pierse. Melbourne Theatre Company @ the Fairfax Studio, Victorian Arts Centre, until July 21.

Spring Awakening by Frank Wedekind, adapted and directed by Simon Stone. Design: set by Jolyon James, Mark Leonard Winter and Simon Stone; costume by Mel Page; sound by Rob Stewart; lighting by Lucy Birkinshaw. With Angus Grant, Sara Gleeson, Katie-Jean Harding, Shelly Lauman, Rhys McConnochie, Beejan Olfat, Russ Pirie and Dylan Young. The Hayloft Project @ 45 Downstairs until June 17.

The Perjured City, Or The Awakening of the Furies, by Hélène Cixous, directed by Kirsten von Bibra. Design by Jeminah Reidy, costumes by Jessica Daley, lighting by Whitney McNamara, puppet design Lachlan Plain. With 2007 VCA Drama Graduates. VCA School of Drama, 28 Dodds St, Southbank until June 9.

The Pillowman by Martin McDonagh, directed by Simon Phillips. Design by Gabrila Tylesova, lighting by Matt Scott, composer Ian McDonald, animator Dom Evans. With Richard Bligh, Joel Edgerton, Kim Gyngell, Rima Hadchiti, Natasha Herbert and Dan Wyllie. Melbourne Theatre Company @ the CUB Malthouse until June 22.

The Birthday Party by Harold Pinter, directed by Adrian Mulraney. With Chris Brown, Jo Buckley, Bruce Kerr, Adrian Mulraney, Nicki Paul and Stephen Whittaker. St Kilda Army & Navy Club Memorial Hall, 88 Acland Street, St Kilda, until May 27. Bookings 0431 739 211

Fourplay by Jane Bodie, directed by David Ryding. Design by Emma Caporn, audio design and music by Craig Tracy, lighting design by Aaron Beach. With Brett Whittingham, Olivia Hogan, Kate Gregory and Dan Walls. Actomatic @ Cromwell Rd Theatre, 27A Cromwell Rd, South Yarra, until May 26. Bookings 9429 8118.

OT: Chronicles of the Old Testament, devised and directed by Christian Leavesley and Phil Rolfe. Lighting by Paul Jackson, additional recorded compositions by Phillip McInnes and Brendan Noonan. With Amelia Best, Philip McInnes, Luke Ryan, Peter Snow and Katherine Tonkin. Uncle Semolina (& Friends), Beckett Theatre @ the Malthouse until May 27.

Ghosts by Henrik Ibsen, adapted by Louis Nowra and May-Brit Akerholt, directed by Melanie Beddie. Design by Emily Barrie, lighting design by Richard Vabre, AV design Nicholas Verso, sound by Melanie Beddie. With Jay Bowen, Ming-Zhu Hii, Bruce Myles, Andrea Swifte and James Wardlaw. Branch Theatre Company @ Theatreworks until May 20.

Tense Dave, devised and directed by Lucy Guerin, Michael Kantor and Gideon Obarzanek. Dramaturge Tom Wright, design by Jodie Fried, Andrew Livingston and Ben Cobham, lighting by Niklas Pajanti. Original music and arrangements Francois Tetaz. With Kristy Ayre, Brian Carbee, Michelle Heaven, Brian Lucas, Luke Smiles and Delia Silvan (understudy). Chunky Move and Malthouse Theatre co-production, @ the Merlyn Theatre, Malthouse, until April 29.

The Receipt, by Will Adamsdale. Performed by Will Adamsdale and Chris Branch. Comedy Festival @ The Malthouse until April 29

The History Boys by Alan Bennett, directed by Peter Evans. Design by Dale Ferguson, lighting by Toby Sewell, sound/music design by Ian McDonald. With Craig Annis, Michael Finney, Ben Geurens, Andre Jewson, Morgan David Jones, Brian Lipson, Rhys McConnochie, Luke Mullins, Matthew Newton, Beejan Olfat, Deidre Rubenstein and Ashley Zukerman. Melbourne Theatre Company @ the Victorian Arts Centre Playhouse until May 12.

B-File, based on text by Deborah Levy, directed by Paulo Castro. Co-written and performed by Jo Stone, Karen Lawrence, Paolo Dos Santos, Paulo Castro, Silvia Pinto Coelho and Madeleine Lawrence. Produced by Tanzfabrik-Berlin, Teatro Vila Real-Portugal and Casa Das Artes Familcao-Portugal, La Mama @ the Courthouse until April 14.

COMEDY FESTIVAL: The Pitch, written and performed by Peter Houghton. Directed by Anne Browning, sound design by David Franzke, lighting by Paul Jackson. The Beckett @ The Malthouse until April 28. The Sound of Music Drag Show, directed by Jessica James. With Jessica James, Kris Del Vayse, Amanda Monroe, Jackie Stevens, Roxy Bullwinkle and Jillette Jones. Drags Aloud @ the Bosco, Federation Square, Melbourne Comedy Festival until April 15.

Exit the King by Eugene Ionesco, directed by Neil Armfield. Designed by Dale Ferguson, lighting by Damien Cooper, composer John Rodgers, sound design Russell Goldsmith. With Billie Brown, Julie Forsythe, Gillian Jones, Rebecca Massey, Geoffrey Rush, David Woods, music by Scott Tinkler. Merlyn @ the Malthouse until April 21.

The Season at Sarsaparilla by Patrick White, directed by Benedict Andrews. Design by Robert Cousins, costumes by Alice Babidge, lighting by Nick Schlieper, composition by Alan John, sound design by David Gilfillan. With Martin Blum, Brandon Burke, Peter Carroll, Eden Falk, John Gaden, Alan John, Hayley McElhinney, Amber McMahon, Colin Moody, Pamela Rabe, Emily Russell, Dan Spielman and Helen Thomson. Sydney Theatre Company @ the Drama Theatre, Sydney Opera House, until March 31.

Black, created by Anna Tregloan. Sets and costume design Anna Tregloan, composition and sound design David Franzke, lighting design by Paul Jackson. Dramaturge Maryanne Lynch. With Martyn Coutts, Moira Finucane, Caroline Lee and James Wardlaw. Tower Theatre @ The Malthouse, until April 1.

The Ghost Writer by Ross Mueller, directed by Julian Meyrick. Design by Stephen Curtis, composer Darren Verhagen, lighting by Paul Jackson. With Margaret Harvey, Belinda McClory, Raj Sidhu and John Wood, Melbourne Theatre Company, Fairfax Studio, Victorian Arts Centre until April 21.

Ashes to Ashes by Harold Pinter, directed by Sam Strong. Design by Melissa Page, lighting by Danny Pettingill, sound by Rob Stewart. 45 Downstairs, Flinders Lane, until March 24.

Grace, written and directed by James Brennan. Designed by Adam Gardnir, lighting by Nik Pajanti, sound design by Peter Brennan. With Gary Abrahams, Brian Lipson, Katrina Miilosevic, Luke Mullins, Ivan Thorley and Carla Yamine. GoD BE IN MY MouTH @ Theatreworks until March 25.

All My Sons by Arthur Miller, directed by Kate Cherry. Designed by Richard Roberts, lighting by Jon Buswell, composer Peter Farnan. With Janet Andrewartha, Melinda Butel, Matt Dyktynski, Luke Elliot, Paul English, Yesse Spence, John Stanton, Rebekah Stone, Teague Rook and Louis Corbett/Liam Duxbury or Gianluca Toscano. Melbourne Theatre Company, Playhouse @ Victorian Arts Centre until March 31.

The Spook by Melissa Reeves, directed by Tom Healey. Design by Anna Borghesi, lighting by Richard Dinnen, composition and sound by David Franzke. With Alison Bell, Kevin Harrington, Margaret Mills, Denis Moore, Tony Nikolopoulos, Luke Ryan and Maria Theodorakis. Malthouse Theatre @ The Beckett until March 10.

Homebody/Kabul by Tony Kushner, directed by Chris Bendall. Designed by Peter Corrigan, lighting by Nick Merrylees, sound by Jethro Woodward. With Tyler Coppin, Ernie Gray, Shelly Lauman, Wahibe Moussa, Osamah Sami, Shahin Shafaei and Majid Shokor. Theatre@Risk at Trades Hall, until March 11.

The Nature Of Things, Season 1: Relics and Time, directed by Renato Cuocolo. Concept by Renato Cuocolo and Roberta Bosetti, media by Warwick Page, visual art by Andree Gersberck. With Roberta Bosetti. Undisclosed location (revealed at booking) until February 25. Bookings 9416 9447 or 0416 42 75 86.

Detest (This Thousand Years I Shall Not Weep) created by Angus Cerini, with music by Kelly Ryall, Courthouse @ La Mama until February 17.

Chocolate Monkey, written and performed by John-Paul Hussey, directed by Lucien Savron. Original music and sound design by Kelly Ryall, photography and visual design by Natalie Lowery, lighting design by Remo Vallance, Mark Benson and Luke Hails. The Amazing Business, presented by the Store Room Theatre Workshop at Full Tilt, the Victorian Arts Centre, until February 18.

Rage Boy by Declan Greene, directed by Susie Dee. Set and costume design by Emily Barrie, lighting design by Katie Sfetkidis, video design by Nicholas Verso. Midsumma Festival at the Beckett, Malthouse Theatre, until February 10.

Car Maintenance Explosives and Love (CMXL), written and performed by Donna Jackson, original direction and dramaturgy Andrea Lemon. Midsumma Festival @ Gasworks, South Melbourne.

Don's Party by David Williamson, directed by Peter Evans. Design by Dale Ferguson, lighting design by Matt Scott, Composition and sound Design Basil Hogios. With Glenn Hazeldine, Anita Hegh, Colin Lane, Steve Le Marquand, Mandy McElhinney, Travis McMahon, Rhys Muldoon, Christopher Pitman, Felicity Price, Jacinta Stapleton and Alison Whyte. MTC @ the Arts Centre Playhouse until February 10.

Entertaining Mr Sloane by Joe Orton, directed by Simon Phillips. Designed by Shaun Gurton, lighting design by Matt Scott, music by David Chesworth. With Ben Geurens, Bob Hornery, Amanda Muggleton and Richard Piper. Fairfax at the Victorian Arts Centre until February 10.

Short & Sweet 2006: Week 3 Top 30. Various artists. Fairfax Studio, Victorian Arts Centre.

A Mile in her Shadow by Robert Reid, directed by Aidan Fennessy. Design by Anna Cordingley, lighting design by Matt Scott, original music and sound design Kelly Ryall. With Ben Harkin and Katie-Jean Harding. The Store Room Theatre Workshop until December 10.

Translations by Brian Friel, directed by David Mealor. Design by Kerry Reid, lighting design Geoff Cobham. With William Allert, Michaela Cantwell, Elena Carapetis, Lizzy Falkland, Patrick Frost, John Kelly, Andrew Martin, Dominic Pedlar, Stephen Sheehan, Geoff Revell and Rory Walker. Flying Penguin Productions @ the Malthouse, until December 10.

For Samuel Beckett: Endgame, by Samuel Beckett, directed by William Henderson and Anne Thompson. Design by Julie Renton, lighting design by Niklas Pajanti. With David Tredinnick, Peter Houghton, Richard Bligh and Evelyn Krape, music performed by Miwako Abe. Eleventh Hour Theatre, 170 Leicester St, Fitzroy, until December 9.

Babes in the Wood by Tom Wright, directed by Michael Kantor. Music by Iain Grandage, design by Anna Tregloan, lighting by Paul Jackson, choreography by Kate Denborough, sound design David Franzke, dramaturgy by Maryanne Lynch. With Caroline Craig, Diana Emry, Julie Forsythe, Max Gillies, Francis Greenslade, Eddie Perfect and Lucy Taylor. Malthouse Theatre until December 3.

Tomfoolery: The Words and Music of Tom Lehrer, adapted by Cameron MacKintosh and Robin Ray, directed by Ross Coleman and Simon Phillips. Lighting design by Matt Scott, design by Gabriela Tylesova. With Rhonda Burchmore, Mitchell Butel, Gerry Connolly, Bert Labonte and Melissa Madden-Gray. Melbourne Theatre Company @ the Playhouse, Victorian Arts Centre, until December 16.

The Yellow Wallpaper, by Charlotte Perkins Gilman, adapted by Peter Evans and Anita Hegh, directed by Peter Evans. Design by Adam Gardnir, lighting by Luke Hails, sound by Roger Alsop. With Anita Hegh. The Tower @ the Malthouse until November 26.

Mishima in the City: Duets of Desire. 2: The Damask Drum, adapted from the plays by Yukio Mishima and Zeami, directed by Robert Draffin. Film by Ivanka Sokol, set design Ina Indira Shanahan, lighting design by Luke Hails, sound design and music performance by Jethro Woodward. Performed by Alan Knoepfler and Mary Sitarenos. Film acting, voices and stage business by Paul Robertson, Raffaele Rufo, Claire-Larisse Nicholls. Liminal Theatre, 70 Nicholson St, Abbotsford (between Gipps & Langridge St; opposite Sophia Mundi School) until November 26.

Killing Game by Eugene Ionesco, directed by Greg Stone. Design by John Bennett, lighting by Nick Merrylees, sound by Greg Stone and Evan Drill. With University of Ballarat Arts Academy Third Year graduates. Theatreworks until November 4.

Pichet Klunchun and Myself, concept by Jérôme Bel, by and with Jérôme Bel and Pichet Klunchun. Playhouse, Victorian Arts Centre

Peepshow, devised, directed and performed by Marie Brassard. Live music and sound design Alexander MacSween, design and lighting Simon Guibault. Malthouse Theatre. Blind Date, choreographed and directed by Bill T Jones. Musical direction by Daniel Bernard Roumain. Music performed by Akim "Funk" Buddha, Neel Murgai, Amie Weiss, Daniel Bernard Roumain. Danced by Asli Bulbul, Leah Cox, Maija Garcia, Shaneeka Harrell, Shayla-Vie Jenkins, Wen-Chung Lin, Erick Montes, Charles Scott, Donald C Shorter, Stuart Singer and Andrea Smith. Bill T Jones/Arnie Zane Dance Company @ the State Theatre, Victorian Arts Centre.

I La Galigo, from the Sureq Galigo, adapted by Rhoda Grauer, directed by Robert Wilson. Music by Rahaya Supanggah, co-set designer Christophe Martin, lighting by AJ Weissbard, dance master Andi Ummu Tunru. State Theatre, Victorian Arts Centre

Voyage by dumb type, performed by Manna Fujiwara, Yuko Hirai, Takao Kawaguchi, Hidekaazu Maeda, Seiko Ouchi, So Ozaki, Noriko Sunayama, Mayumi Tanaka, Misako Yabuuchi. Visuals by Shiro Takatani, Takayuki Fujimoto, Hiromasa Tomari. Playhouse, Victorian Arts Centre

Now That Communism Is Dead My Life Feels Empty by Richard Foreman. Direction, composition and design by Max Lyandvert. Lighting by Luiz Pampolha. With Benjamin Winspear, Gibson Nolte and Rebecca Smee, Voice by Helmut Bakaitis. Kitchen Sink @ The Tower, Malthouse Theatre.

Ngapartji Ngapartji (I give you something, you give me something). Key performer/co-creator Trevor Jamieson, writer/director Scott Rankin. Design by Genevieve Dugard, lighting design by Neil Simpson, choreography by Yumi Umiumare. With Pantjiti McKenzie, Jennifer Mitchell, Lorna Wilson, Iris Ajax, Nami Kulyuru, Rhoda Tjitayi, Dora Haggie, Elton Wirri, Julie Miller, Sadie Richards, Nathaniel Garrawurra, Mervin Adamson, Yumi Umiumare, Lex Marinos, Najeeba Azimi, Saira Luther, Damian Mason, Andrew McGregor. Big hART @ the Fairfax Studio, Victorian Arts Centre

Tragedia Endogonidia: BR.#04 Brussels by Romeo Castelluci. Direction/set design Romeo Castelluci, direction/vocal sound and dramatic score Claudia Castelluci, trajectories and writings Claudia Castelluci, original music Scott Gibbons. With Sonia Beltran Napoles, Claudia Castelluci, Sebastiano Castelluci, Luca Nava, Gianni Plazzi, Sergio Scarlatella, Atos Zammarchi. Societas Raffaello Sanzio, @ the Malthouse Theatre.

1984 by George Orwell, adapted by Michael Gene Sullivan, directed by Tim Robbins. Design Richard Hoover and Sibyl Wickersheimer, lighting by Bosco Flanagan, sound David Robbins. With P. Adam Walsh, Kaythe Farley, Brian Finney, Kaili Hollister, V.J. Foster and Stephen M. Porter. State Theatre @ the Victorian Arts Centre.

Rubeville, written and directed by Thomas Henning. Music by Liam Barton, Sebastian Steiger and Sean the Saw. With Gareth Davis, Dylan Young and Eloise Mignon. The Black Lung @ The Black Lung Theatre until October 15. Debris by Dennis Kelly, directed by Tanya Goldberg. With Thomas Campbell and Bojana Novakovic. Ride On @ the Black Lung Theatre, 55 High St Northcote, until October 14.

Jet of Blood, adapted from Antonin Artaud, directed by Olivia Allen. Designed by Adam Gardnir, lighting by Luke Hails, sound by Hayley Forward. With Simon Stone, Amelia Best, Lara Tumak, Austin Castiglione, Katherine Tonkin, Julian Crotti, Roderick Cairns and Grant Cartwright. Ignite @ Theatreworks, until October 15. Autobiography of Red

Autobiography of Red, based on the novel by Anne Carson, devised and performed by Luke Mullins. Sound design and composition by Jethro Woodward, co-designed by Anna Cordingley and Adam Gardnir, physical text Leisa Shelton, light by Richard Vabre, video design by Nicholas Verso. Voices by Rob Meldrum, Mary Sitarenos and Alan Knopfler. The Tower @ the Malthouse until September 24.

Honour Bound, conceived, directed and co-designed by Nigel Jamieson. Choreographed by Garry Stewart, composition and sound design by Paul Charlier, co-designer Nicholas Dare, lighting by Damien Cooper, video art by Scott Otto Anderson. Created in consultation with Terry and Bev Hicks. Performed and co-devised by DJ Garner, Alexandra Harrison, David Mueller, Marnie Palomares, Brendan Shelper and Paul White. Malthouse Theatre until October 1.

The Skriker by Caryl Churchill, directed and designed by Brian Lipson. Lighting by James Shuter, audio visual by Qiao Li, visual effects Nicklas Tibo Ersson, costumes by Caitlin Kerry. With: Susan Miller, Julie Wee, Katherine Bradley, Eryn-Jean Norvill, Mick Lo Monaco, Tristan Meecham, Russ Pirie, Jing-Xuan Chan, Christine Mowinckel, Sharon Davis, Gemma Cavoli, Patrick Flynn, Ashley Zukerman, Soraya Dean, Jamieson Caldwell, Thomas Wren. VCA School of Drama, Space 28, Dodds St, Southbank.

The Female of the Species by Joanna Murray-Smith, directed by Patrick Nolan. Designed by Dale Ferguson, lighting by Matt Scott, composer David Chesworth. With Michael Carman, Roz Hammond, Peter Houghton, Sue Ingleton, Bert Labonte and Bojana Novakovic. Melbourne Theatre Company @ the Victorian Arts Centre Playhouse, until September 30

Construction of the Human Heart by Ross Mueller, directed by Brett Adam. Lighting by Rob Irwin, sound by Casey Bennetto. With Fiona Macleod and Todd MacDonald. The Tower @ the Malthouse until September 3 Festen

Festen, dramatised by David Eldridge, based on the dogme film and play by Thomas Vinterberg, Mogens Rukov and Bo Hr. Hansen, directed by Simon Phillips. Designed by Shaun Gurton, lighting by Matt Scott. With Nicholas Bell, Julia Blake, Melinda Butel, Ditch Davey, Jason Donovan, Julie Eckersley, Kim Gyngell, Bob Hornery, Chris Kirby, Alex Menglet, John Stanton, Kat Stewart and Greg Ulfan. Melbourne Theatre Company at the Fairfax Studio, Victorian Arts Centre, until September 23

Not Like Beckett by Michael Watts, directed by Michael Kantor. Design by Anna Cordingley, lighting by Niklas Pajanti, sound and composition by Darrin Verhagen. With Russell Dykstra. Beckett @The Malthouse Theatre until August 20.

The Trial of Salome, adapted and directed by Bob Pavlich. Designed by Romanie Harper, lighting by Gwendolyna Holmberg-Gilchrist. With T'mara Buckmaster, Emma Goldsworthy, Adrian Mulraney, David Adamson, Alex Pinder and Josh Ryan. La Mama @ the Carlton Courthouse, until August 5.

The Fall by Albert Camus, adapted by Michael Cronin from Justin O'Brien's translation. Directed by Emma Valente, with Drew Tingwell. The Stork Hotel, 504 Elizabeth St, Melbourne, until June 25.

Eldorado by Marius von Mayenburg, translated by Maja Zade, directed by Benedict Andrews. Design Anna Tregloan, lighting design Paul Jackson, music and sound Max Lyandvert. With Gillian Jones, Robert Menzies, Hamish Michael, Bojana Novokovic, Greg Stone and Alison Whyte. Malthouse Theatre until July 2. The Session written and performed by The Ennio Morricone Experience: Patrick Cronin, Graeme Leak, Boris Conley and David Hewitt, with Steph O’Hara and Stephen Taberner. Directed by Barry Laing, designed by Emily Barrie. Sound design by Steph O’Hara with Graeme Leak, lighting design Gina Gascoigne, sound consultant Kelvin Gedye. Malthouse Theatre until June 25.

Circus Oz: Laughing at Gravity tour. With Svetlana Bunic, Stuart Christie, Jim Dunlop, Mel Fyfe, Sharon Gruenert, Scott Hone, Christa Hughes, Michael Ling, John O'Hagan, Ruby Rowat, Matt Wilson and Sosina Wogayehu. At the Big Top at Birrarung Marr until July 9.

Lally Katz and the Terrible Mysteries of the Volcano by Lally Katz, directed by Chris Kohn. Design by Adam Gardnir, lighting by Richard Vabre, sound by Jethro Woodward, video by Chris Kohn. With Christopher Brown, Margaret Cameron, Tony Johnson, Brian Lipson, Luke Mullins, Jenny Priest and Gavan O'Leary. Music performed by Chris Kohn and Jethro Woodward. Stuck Pigs Squealing @ Theatreworks, St Kilda, until June 18.

Chronicles of the Sleepless Moon written, devised and performed by Joseph O'Farrell, Miles O'Neil and Glen Walton. The Suitcase Royale @ The Black Lung Theatre, Kent St Bar, 201 Smith St, Collingwood, until June 17. Vaudeville X by Michael Dalley, with Grant Cartwright, Michael Dalley and Daniel Fletcher, music by John Thorn. High Performance Company @ Dantes, Gertrude St, Fitzroy until June 18.

Charcot by William Glaser, directed and designed by Clare Watson. Lighting by Paul Lim, music and sound design Kelly Ryall. With Miriam Glaser, Chantelle Jamieson and Bruce Kerr (voiceover). Full Dress Productions at the Old Council Chambers, Trades Hall. The Lower Depths by Maxim Gorky, directed by John Bolton. Designed by Katherine Chan, costume design Esther Hayes, sound design Gus Macmillan, lighting by Lisa Mibus. With Katherine Bradley, Jamison Caldwell, Gemma Cavoli, Jing-Xuan Chan, Sharon Davis, Soraya Dean, Patrick Flynn, Mick Lo Monaco, Tristan Meecham, Susan Miller, Christine Mowinckel, Eryn-Jean Norvill, Russ Pirie, Julie Wee, Thomas Wren and Ashley Zukerman. VCA Drama Company 2006, Victorian College of the Arts.

Headlock, text by David Denborough, directed by Kate Denborough. Set and lighting, Ben Cobham, Music by Byron Scullin. With Luke Hockley, Bryon Perry and Gerard von Dyck. Kage Physical Theatre @ The Malthouse, until June 3. The Clean House by Sarah Ruhl, directed by Kate Cherry. Designed by Christina Smith, lighting by Jon Buswell. With Julia Blake, Daniela Farinacci, Wendy Hughes, Pip Miller and Deidre Rubenstein. Melbourne Theatre Company, Fairfax Studio, Victorian Arts Centre until July 8.

Mrs Petrov's Shoe by Noelle Janaczewska, directed by Chris Bendall. Video Kirrilly Brentnall, design Kelle Frith, lighting Nick Merrylees, music and sound Kelly Ryall. With Jude Beaumont, Mike Bishop, Katie-Jean Harding, Toby Newton and Carole Patullo. Theatre@Risk at 45 Downstairs until May 21.

A Single Act by Jane Bodie, directed by Julian Meyrick. Design Louise McCarthy, lighting Ben Cobham, composer Darrin Verhagen. With Anita Hegh, Neil Pigot, Travis McMahon and Tanya Burne. Melbourne Theatre Company at the Beckett Theatre, Malthouse until June 10.

A View of Concrete by Gareth Ellis, directed by Lauren Taylor. Design by Adam Gardnir, lighting Richard Vabre, composer Tom Spender, sound design by David Franzke. With Peter Houghton, Richard Pyros, Alexandra Schepisi and Lauren Urquhart. The Tower @ The Malthouse, until May 21.

We Built This City, written and directed by Donna Jackson. Composer and band leader Mark Seymour, percussion director Mark Grunden, media artist Malcolm MacKinnon, lighting Phil Lethlean. Melbourne Workers Theatre @ Scienceworks, Spotswood, May 3-6. It's a Mother! Directed and designed by Don Mamouney, various writers. Video design Assad Abdi, lighting Inka Straface. With Alex Blias, Elena Carapetis and Natalie Alexopoulos. Sidetrack Performance Group @ North Melbourne Town Hall until May 7

Comedy Festival: The Importance of Being Earnest by Oscar Wilde, devised and edited by Jon Haynes, David Woods and Jude Kelly, directed by Jude Kelly with Ridiculusmus, David Woods and Jon Haynes. Malthouse Theatre until April 30. A Porthole into the Minds of the Vanquished written and performed by Tamlyn Henderson and Warwick Allsopp, direction by Ansuya Nathan and Tony Taylor, musical direction/keyboards by John Rutledge. Regent Room @ Melbourne Town Hall until May 7. From Bombay to Beijing by Bicycle written and performed by Russell McGilton, directed by Kimberley Grigg-Pierzchalski, music by Alan Griffiths. 45 Downstairs until May 7.

Doubt by John Patrick Shanley, directed by Julian Meyrick. Designed by Stephen Curtis, lighting by Matt Scott, composer Max Lyandvert. With Alison Bell, Christopher Gabardi, Jennifer Flowers and Pamela Jikiemi. Melbourne Theatre Company, Playhouse @ the Victorian Arts Centre until May 13.

It Just Stopped by Stephen Sewell, directed by Neil Armfield, designed by Stephen Curtis. With Marcus Graham, Catherine McClements, Rebecca Massey and John Woods. Company B Belvoir St and Malthouse Theatre, Merlyn @ Malthouse until April 23.

East: Elegy for the East End and its Energetic Waste by Steven Berkoff, directed by John Bolton, lighting by Toby Bolton. With Andre Jewson, Simon Morrison-Baldwin, Sarah-Jane St Clair, James Re and James Ballarin. La Mama at the Carlton Courthouse until April 1.

The Nero Conspiracy by Enzo Condello, directed by Beng Oh. Designed by Kat Chishkovsky, lighting by Nick Merrylees, sound by Robert Harewood. With Ian Rooney, Giovanni Bartuccio, Leon Durr, Tani Lentini, Simon Kearney, Steven Cabral, Christopher Broadstock, Josie Scott, Steven Dawson and Lauren Clare. Old Council Chambers, Trades Hall, Carlton, until April 2.

March 7, 2006 :Ray's Tempest by Steve Rodgers, based on an original script and idea by Justin Monjo and Richard Roxburgh. Directed by Bruce Myles, designed by Judith Cobb, lighting by Jon Buswell, music composed by Peter Farnan. With Caroline Brazier, Kim Gyngell, William McInnes, Alex Menglet, Hamish Michael, Genevieve Picot and Alexandra Schepisi. Melbourne Theatre Company at the Fairfax Studio, Arts Centre, until April 15.

February 25, 2006: Cargo by Sarah Cathcart and Kerreen Ely-Harper. Performed by Sarah Cathcart and Kerreen Ely-Harper. Design by Anna Borghesi, lighting design Rachel Burke, score Elizabeth Drake. Beckett Theatre at the Malthouse until March 12.

February 22, 2006: Too Beautiful for Garbage, written and performed by Romi Trower, directed by Richard Lowenstein. Design by Anna Borghesi, lighting design by Michele Preshaw, sound design David Franzke. Chapel off Chapel.

February 15, 2006: Can't Leave Tomorrow Alone by Vanessa Rowell, directed by Emma Valente. Design by Kate Davis, lighting by Rebecca Etchell. With Ma-an Adriano, Jasper Bagg, Alexis Beebe, Athony Cleave and Nicola Gunn. Hoist Theatre @ Theatreworks, until February 25. One Way Street by David Grieg, directed by Chris Bendall. Design by Kirrilly Brentnall and Isla Shaw, lighting Nick Merryless. With Simon Kingsley Hall. Theatre@Risk at 45 Downstairs

February 9, 2006: Virgins: a musical threesome by Mathew Frank and Dean Bryant, directed by Dean Bryant. Musical director Luke Byrne, design by Adam Gardnir. With Esther Hannaford, Rosemarie Harris, Verity Hunt-Ballard, Amanda Levy and Kellie Rode. The Tower Theatre @ the Malthouse until February 11

The 25th Annual Putnam County Spelling Bee , music and lyrics by William Finn, book by Rachel Sheinkin, conception Rebecca Feldman. Directed by Simon Phillips. designed by Dale Ferguson. With Marina Prior, Tyler Coppin, Bert Labonte, David Campbell, Christen O'Leary, Tim Wright, Magda Szubanski, Natalie Mendoza and Natalie O'Donnell. Playhouse @ the Victorian Arts Centre, until February 25.

January 30, 2006: The True Amazon Adventures of Roger Casement by Andrew Shaw, directed by Robert Reid. With Mike McEvoy, Elliot Summers, Robert Lloyd, Michael F. Cahill, Tobias Manderson-Galvin, Johannes Scherpenhuizen, Liz McColl, Simon Morrison-Baldwin and Alicia Benn Lawler. La Mama until February 18.

January 12, 2006: Dumb Show by Joe Penhall, directed by Peter Evans. With Aaron Blabey, Anita Hegh and Richard Piper. Designed by Christina Smith, lighting design Matt Scott, music by Darrin Verhagen. Melbourne Theatre Company @ the Fairfax, Victorian Arts Centre, until February 18.

October 31, 2005: Test Pattern by Angus Cerini, directed by Nadja Kostich. Lighting design by Richard Vabre, set & costume by Marg Horwell, sound design by Jethro Woodward, video design by Michael Carmody. With Omar Abdurrheem, David Baker, Myf Clark, Seb Elkner, Stef Franja, Tanya Jenkinson, Paul Matley and Ayumi Pakehara. Platform Youth Theatre, Northcote Uniting Church Hall, 251 High St, Northcote.

Billy Maloney by Bill Garner and Sue Gore, directed by Denis Moore, designed by Shaun Gurton, lighting by Nick Merrylees. With Don Bridges, Jim Daly and Ruth Schoenheimer. At North Melbourne Town Hall until December 10.

October 24, 2005: Good Samaritans , written and directed by Richard Maxwell, with Rosemary Allen and Kevin Hurley. New York City Players at the Malthouse. Berggasse 19 - The Apartments of Sigmund Freud , written and designed by Brian Lipson, directed by Susie Dee, co-designed by Hugh Wayland, with Brian Lipson and Pamela Rabe, Grant Street Theatre.

October 18, 2005: Le Dernier Caravansérail (Odyssées): Part One - Le Fleuve cruel (The Cruel River) and Part Two - Origines et Destins (Origins and Destinies) , devised by the company, directed by Ariane Mnouchkine, music by Jean-Jacques Lemêtre. Théâtre de Soleil, Royal Exhibition Building, Carlton Gardens.

October 18, 2005: Death and the Ploughman by Johannes von Saaz, translated by Michael West. Directed by Anne Bogart, with Will Bond, Stephen Webber and Ellen Lauren, SITI Company @ the CUB Malthouse. La Clique ... A Sideshow Burlesque , The Spiegeltent, Arts Centre Forecourt

October 15, 2005: The Odyssey by Tom Wright, directed by Michael Kantor, designed by Anna Tregloan. With Paul Blackwell, Leon Ewing, Francis Greenslade, Jessica Ipkendanz, Rita Kalnejais, Benjamin Lewis, Belinda McClory, Suzannah McDonald, Kris McQuade, Margaret Mills and Stephen Phillips. Malthouse Theatre at the Workshop.

October 12, 2005: Songs of Exile , Diamanda Galas; Hamer Hall, Victorian Arts Centre.

October 12, 2005: Green , choreographed, designed and lit by Saburo Teshigawara, in collaboration with Kei Miyata; live music by Sand. KARAS, State Theatre, Victorian Arts Centre. Small Metal Objects devised by the cast, directed by Bruce Gladwin, with Sonia Teuben/Alan V Watt, Simon Laherty, Genevieve Picot and Jim Russell. Back to Back Theatre @ Flinders St Station Concourse. Weyreap's Battle directed by Mao Keng, choreographed by Pok Saram and Pun Bun Chanrath. National Theatre of Cambodia, Playhouse, Victorian Arts Centre.

October 4, 2005: Material Mouth , performed and devised by Carolyn Connors. Directed by Margaret Cameron, lighting by Gwendolyna Holmberg-Gilchrist. La Mama Theatre until October 9.

September 29, 2005: Drink Pepsi, Bitch performed and written by Eddie Perfect, co-written by Tom Wright. Directed by Tom Healey. Music performed by Ben Hendry, Dustin McLean, Vincenzo Ruberto. Beckett @ The Malthouse Theatre until October 2. Bremen , directed by Michael Cammilleri, North Melbourne Festival Hub, Lithuanian Club Main Theatre until October 1.

September 20, 2005:Telefunken written and performed by Stuart Orr, directed by Barry Laing. Table 9 Productions @ the Tower Theatre, Malthouse, until September 25.

September 13, 2005: The Crucible by Arthur Miller. Directed by Anne Thompson and William Henderson. Designed by Bruce Gladwin, lighting design Niklas Pajanti. With Nicole Nabout, Shona Innes, David Trendinnick, Fiona Todd, Peter Houghton, Evelyn Krape and Christopher Brown. The Eleventh Hour, 170 Leicester St, Fitzroy, until October 1.

August 15, 2005: Ivanov by Anton Chekhov, translated by Natalia Axenova. Directed by Ariette Taylor, deisgned by Adrienne Chisholm, lighting by Philip Lethlean. With Paul English, Helen Morse, Alex Menglet, Malcolm Robertson, Margaret Mills, Chloe Armstrong, Dan Spielman, Jane Nolan, Bob Hornery, Stewart Morrit, Monica Maughan, Laurie Bishop, Jonathan Taylor. At Fortyfivedownstairs, Flinders Lane, City, until August 31.

August 8, 2005: The Black Swan of Trespass by Lally Katz and Chris Kohn. Directed by Chris Kohn, with Jacklyn Bassanelli, Christopher Brown, Gavan O'Leary, Katie Keady and Chris Kohn (musician). Stuck Pigs Squealing at The Tower Theatre, Malthouse, until August 7. Stalking Matilda by Tee O'Neill. Directed by Chris Bendall, with Jude Beaumont, Irene Dios, Odette Joannidis, Ron Jordan, Toby Newton and Jeremy Stanford, Theatre@Risk at Theatreworks, St Kilda, until August 21.

June 5, 2005: Boulevard Delirium with Paul Capsis, directed by Barrie Kosky. From Schauspielhaus Wien, @ the Malthouse Theatre, June 1 until June 26.

May 28, 2005: Wars of the Roses by Williams Shakespeare, directed by John Bell, designed by Stephen Curtis. With Joe Manning, John Batchelor, Robert Alexander, Christopher Stollery, Greg Stone, Timothy Walter, Matthew Moore, Richard Piper, Peter Lamb, Darren Gilshenan, Georgia Adamson, Julian Garner, David Davies, John Turnbull and Julia Davis. Bell Shakespeare at the Arts Centre Playhouse until June 4.

May 28, 2005: Phobia : text and direction by Douglas Horton, music and sound concept by Gerard Brophy. Design coordination by Jacqui Everett. With Teresa Blake, Boris Conley, Patrick Cronin, David Hewitt, Graeme Leak, Daniel Witton. Chamber Made Opera at Melbourne Town Hall.

May 24, 2005: Boy Gets Girl by Rebecca Gilman, directed by Kate Cherry. Designed by Christina Smith, with Belinda McClory, Stephen Phillips, John McTernan, Kenneth Ransom, Rebekah Stone, Terry Norris and Kellie Jones. Melbourne Theatre Company at the Fairfax Studio, Victorian Arts Centre, until July 2.

May 18, 2005: Black Medea by Wesley Enoch, directed by the writer. Designed by Christina Smith, lighting by Rachel Burke, sound design by Jethro Woodward. With Margaret Harvey, Aaron Pedersen, Michael Morgan/Jesse Rotumah-Gardiner and Justine Saunders. Beckett Theatre @ The Malthouse, until June 5.

May 6: The Maids by Jean Genet, directed by John Bolton, lighting by Armando Licul and Govin Ruben. With Suzannah Bayes-Morton, Zoe Ellerton-Ashley and Shelly Lauman. Victorian College of the Arts School of Drama Autumn Season, Grant Street Theatre

April 28: Torque :Liquid Paper 1: Making Light of Gravity by Hellen Sky and The Proscenium by Margaret Cameron. Three performance "showing" @ the Malthouse Theatre.

April 20: Two Brothers by Hannie Rayson. Directed by Simon Phillips, designed by Stephen Curtis. With Rodney Afif, Caroline Brazier, Diane Craig, Nicholas Eadie, Laura Lattuada, Ben Lawson, Garry McDonald and Hamish Michael. Melbourne Theatre Company at the Arts Centre Playhouse.

April 19: The Ham Funeral by Patrick White, Journal of a Plague Year by Tom Wright. Directed by Michael Kantor, designed by Anna Tregloan. Lighting by Paul Jackson, costumes by Fiona Crombie. With Marta Dusseldorp, Julie Forsyth, Robert Menzies, Lucy Taylor, Dan Spielman, Ross Williams and Matthew Whittet. Malthouse Theatre.

April 6: Felix Listens to the World , devised and performed by Joseph O'Farrell, Miles O'Neil and Glen Walton. Suitcase Royale @ Gertrudes, Fitzroy.

March 30: The Yellow Wallpaper by Charlotte Perkins Gilman, directed by Peter Evans, performed by Anita Hegh. Design Adam Gardnir, lighting design Luke Hails, sound design Roger Alsop. At the Store Room until April 3.

March 23: Sixteen Words for Water by Billy Marshall Stoneking, directed by Lawrence Strangio, designed by Peter Corrigan, with Tim Robertson, Caroline Lee and Natasha Jacobs. La Mama, Carlton Courthouse until March 26.

March 23: The Big Con by Guy Rundle, directed by Aubrey Mellor and Denis Moore, with Max Gillies and Eddie Perfect. Malthouse Theatre until April 3.

March 14: Cruel and Tender by Martin Crimp, directed by Julian Meyrick, design by Ralph Myers. With Catherine McClements, Jacek Koman, Paul Ashcroft, Kim Gyngell, Colin Moody, Betty Bobbitt, Melissa Chambers, Katerina Kotsonis, Ratidzo Mambo, Dino Marnika, Elliot Noble, Jasper Swarray. MTC at the Fairfax Studio, Arts Centre until April 23.

March 9: The Laramie Project , written by Moises Kaufman and members of The Tectonic Theatre Project, directed by Chris Baldock, scenic design by Janine Marshall. With David Gardette, Ron Kofler, Catherine Kohlen, Olivia Hogan, Paula McDonald, Vicki Smith, Dan Walls and Brett Whittingham. Act-O-Matic 3000 at Chapel off Chapel, Prahran, until March 30.

February 26: Cyrano de Bergerac by Edmond Rostand, translated by Marion Potts and Andrew Upton, directed by Simon Phillips, design by Gabriela Tylesova. With David Wenham, Bob Hornery, Asher Keddie, Alex Menglet, David Lyons, Gerry Connolly, Carita Farrer, Hayden Spencer, Stephen Ballantyne, Adam Zwar, Russell Fletcher and Jay Bowen. Melbourne Theatre Company at the Arts Centre Playhouse until April 2.

February 23: Out on a Limb: unsynchronised body parts , conceived, devised and performed by by Sarah Mainwaring, in collaboration with Lloyd Jones. La Mama Theatre.

February 21: After the Rain by Sergi Belbel, directed by Scott Gooding, designed by Kathryn Sproul, with Gloria Ajenstat, Penelope Bartlau, Simon Kearney, Colin MacPherson, Melissa Parente, Clare Springett, Elizabeth Thomson and Shaun Worrell. Translated by John London, David George and Xavier Rodriguez Rosell. Vicious Fish Theatre at Theatreworks until March 5.

February 17: Subclass26A , directed by Bagryana Popov, performed by Rodney Afif, Ru Atma, Natalie Cursio, Simon Ellis, Nadja Kostich, Majid Shokor; music by Elissa Goodrich; design by Anna Tregloan; dramaturgy by Maryanne Lynch.

December 10: Hamlet by William Shakespeare. Directed by Oscar Redding, with Richard Pyros, Adrian Mulraney, Nicki Paull, John Francis Howard, Thomas Wright and Ben Packer. DDT Studio, 515 High Street, Northcote. La Tragedie d'Hamlet , directed by Peter Brook, with Adrian Lester, Jeffery Kissoon, Natasha Parry, Bruce Meyers, Scott Handy, Shantala Shivalingappa, Rohan Siva, Asil Rais, Yoshi Oida, Akram Khan, Nicolas Gaster, Antonin Stahly, Jerome Grillon. DVD, Agat Films 2001.

November 24: The Sapphires by Tony Briggs, directed by Wesley Enoch. With Wayne Blair, Rachel Maza, Ursula Yovich, Lisa Flanagan, Deborah Mailman, Stephen Lovatt, Aljin Abella and Chris Kirby. MTC at the Arts Centre Playhouse, until December 18.

November 17: 7 Days 10 Years by Louis Milutinovic, directed by Chris Bendall, design ed by Peter Corrigan, music and sound Philip McLeod. With Anastasia Malinoff, Laura Lattuada, Sergio Tell, Ernie Gray, Steve Mouzakis, Odette Joannides, Larissa Gallagher, Simon Kingsley Hall. Theatre@risk at Theatreworks, until November 21.

November 10: Phaedra's Love by Sarah Kane, directed by Julie Waddington, design Julie Waddington and Luke Hails, sound by Nicholas Albanis. With Ben Noble, Georgina Capper, Fabienne Parr, Peter Roberts, Nick Austin, Pablo Calero, Alison Boyce, Jacinta Perry and Keira Lyons. Abstract Chaos with Instorage at the Store Room, until November 21.

November 2: Mysterium by Sam Sejavka, directed by Lynne Ellis, designed by Marc Raszewski. With Lisa Tilley, Dije Arlen, Francis McMahon and Mark E. Lawrence. La Mama at the Carlton Courthouse until November 13.

October 25: The Conquest of the South Pole by Manfred Karge, directed by Todd Macdonald, designed by Luke Pither. Performed by Paul Denny, Damien Donovan, Josh Hewitt, James Saunders, Anita Hegh, Julie Eckersley, Mark Hennessy. Instorage at The Store Room, until October 31.

October 21: Melbourne International Arts Festival: The Busker's Opera , directed by Robert La Page. Music composed, arranged and performed by Frederike Bedard, Martin Belanger, Julie Fainer, Claire Gignac, Frederic Lebrasseur, Veronika Makdissi-Warren, Kevin McCoy, Steve Normandin, Marco Poulin and Jean Rene. Dramaturge Kevin McCoy. Ex Machina. The Return of Ulysses by Claudio Monteverdi, directed by William Kentridge, puppets by Adrian Kohler and Handspring Puppet Company, music performed by Ricercar Consort. Playhouse, Victorian Arts Centre.

October 13: Melbourne International Arts Festival: Via Dolorosa , written and performed by David Hare, directed by Stephen Daldry, Athenaeum Theatre.

October 11: Melbourne International Arts Festival: Alladeen , The Builders Association and moti roti. Directed by Marianne Weems, conceived by Keith Khan, Marianne Weems and Ali Zaidi; performed by Rizwan Mirza, Heaven Phillips, Tanya Selvaratnam, Jamine Simhalan, Jeff Webster. Failing Kansas , conceived, performed and directed by Mikel Rouse, film footage by Cliff Baldwin.

October 4: Fringe Festival: Into The Fire: Wallpaper by Lucy Stewart & Interrogation by Ben Noble , St Martins Youth Theatre; Spatial Theory , created and performed by Bill Shannon, music by DJ Richie Tempo, lighting David Szlasa, North Melbourne Town Hall.

September 19: The Last Days of Mankind , by Karl Kraus, with Justus Neumann. Music performed by Julius Schwing. Original direction by Hanspeter Horner, additional direction Daniel Schlusser. La Mama Theatre until September 26.

September 13: Julia 3 by Michael Gurr. Directed by Bruce Myles, with Kate Fitzpatrick, Peter Curtin, Todd MacDonald and Greg Stone. Designed by Christina Smith, lighting design by Glenn Hughes, sound design Andrew Pendlebury. Playbox at the Malthouse Theatre, until September 25.

September 2: Take Me Out by Richard Greenberg, directed by Kate Cherry, designed by Richard Roberts. With Paul Bishop, Kenneth Ransom and Jeremy Lindsey Taylor. Melbourne Theatre Company at the Arts Centre Playhouse, until October 2.

August 29: Terrorism by the Presnyakov Brothers. Directed by Victor Bizzotto, designed by Douglas Iain-Smith, with Adam May, Romy Lor, Sophie Kelly, Paul Denny, Julie Eckersley, Paul Reichenstein, Lyndal Hall and Luke Elliot. Theatre@risk, Fortyfive Downstairs until September 12.

August 24: Dinner by Moira Buffini, directed by Julian Meyrick, designed by Ralph Myers, lighting by Paul Jackson. With Pamela Rabe, Neil Pigot, Alison Whyte, Brian Lipson, Stephen Curry, Robert Jordan and Ming-Zhu Hii. Melbourne Theatre Company at the Fairfax Studio, Victorian Arts Centre, until October 2.

August 18: Sweet Staccato Rising by Robert Reid. Directed by Lauren Taylor, with Hamish Michael and Lauren Urquhart. Theatre of Decay at The Store Room, until August 22.

August 13: Twelfth Night by William Shakespeare, directed by David Freeman, designed by Dan Potra, lighting by Nigel Levings. Bell Shakespeare Company at the Arts Centre Playhouse to 21 August, Canberra Theatre Centre 25 August to 11 September, Illawarra Performing Arts Centre Wollongong 15 to 18 September, Sydney Opera House 23 September to 6 November, Orange Civic Theatre 10 to 13 November.

August 7: Caresses , by Sergi Belbel. Directed by Scott Gooding, with Simon Kearney, Danica Balara, Merrin Canning, Dawn Klingberg, Barry Friedlander, Tim Kelly, Kirk Westwood, Chloe Armstrong, Gareth Ellis and Penelope Bartlau. Vicious Fish Theatre, at Theatreworks. Until August 22.

July 24: Toby by Abe Pogos, directed by Catherine Hill, designed by Peter Mumford, lighting by Richard Vabre,with Tim Stitz, Adam Cass, Janine Watson, Christopher Brown, Benjamin Fuller and Tess Butler. La Mama at the Courthouse Theatre, Carlton, until July 31.

July 18: Macbeth by William Shakespeare, directed by Fiona Blair, with Richard Bligh, Stewart Morritt, Julia Zemiro, Mark Hennessy, Grant Mouldey, Georgina Naidu and Jeannie Van De Veld. The Old Van, at Theatreworks, until August 1

July 16: Minefields and Miniskirts , adapted by Terence O'Connell from Siobhan McHugh's book, directed by Terence O'Connell, with Robyn Arthur, Tracy Bartram, Debra Byrne, Tracy Mann and Wendy Stapleton. Playbox Theatre, until July 31.

July 13: Bedtime for Bastards , three plays by Van Badham. Directed by Dan Walls and Paul Shea, with Liv Hogan, Brett Whittingham, Paul Shea, Catherine Kohlen, Ron Kofler and Dan Walls. Upstairs at the Terminus Hotel, 605 Victoria St, Abbotsford. Until July 17.

July 5: The Eisteddfod by Lally Katz, directed by Chris Kohn, with Jessamy Dyer and Luke Mullins, Stuck Pigs Squealing Theatre, The Store Room, Fitzroy. Until July 11.

June 30: Afterplay by Brian Friel, directed by Malcolm Robinson with Lewis Fiander and Lyndel Rowe, until July 11 at Fortyfivedownstairs, Flinders Lane.

June 29: The Lightkeeper by Verity Laughton, directed by Teresa Bell, with Ian Scott. La Mama Theatre, Carlton.

June 28: Wounds to the Face , By Howard Barker, directed by Jess Kingsford, with Stephanie Miller, Joshua Hewitt, Christopher Brown, Matt Boesenberg, Robert Meldrum, Stephen Phillips, Nina Landis, Michelle Hall, Nicki Paull, Adrian Mulraney. Black Box Theatre at Theatreworks, St Kilda.

June 22: The Daylight Atheist by Tom Scott, directed by Peter Evans, with Richard Piper. Melbourne Theatre Company, Fairfax Studio, Victorian Arts Centre. June 11 to July 24.

June 15: A Sufi Valentine, poems by Rumi, Hafiz and Ali Alizadeh, film by Bill Mousoulis, performed by Ali Alizadeh. La Mama Theatre, until June 20.

June 15: Happy New, by Brendan Cowell. Directed by Ben Harkin, with Dai Paterson, Angus Sampson and Jude Beaumont. The Store Room, North Fitzroy, June 4-20.

June 6: Devised and performed by Peter Finlay. Directed by Lloyd Jones. La Mama Theatre, Melbourne, to June 6; Bakehouse Theatre, Adelaide, June 30 to July 10.